“Believe
me,
“Your
tender, loving, broken-hearted,
“Dahlia.”
There was a postscript:—
“May I still go to lessons?”
Edward finished the letter with a calmly perusing eye. He had winced triflingly at one or two expressions contained in it; forcible, perhaps, but not such as Mrs. Lovell smiling from the wall yonder would have used.
“The poor child threatens to eat no dinner, if I don’t write to her,” he said; and replied in a kind and magnanimous spirit, concluding—“Go to lessons, by all means.”
Having accomplished this, he stood up, and by hazard fell to comparing the rival portraits; a melancholy and a comic thing to do, as you will find if you put two painted heads side by side, and set their merits contesting, and reflect on the contest, and to what advantages, personal, or of the artist’s, the winner owes the victory. Dahlia had been admirably dealt with by the artist; the charm of pure ingenuousness without rusticity was visible in her face and figure. Hanging there on the wall, she was a match for Mrs. Lovell.
CHAPTER VII
Rhoda returned home the heavier for a secret that she bore with her. All through the first night of her sleeping in London, Dahlia’s sobs, and tender hugs, and self-reproaches, had penetrated her dreams, and when the morning came she had scarcely to learn that Dahlia loved some one. The confession was made; but his name was reserved. Dahlia spoke of him with such sacredness of respect that she seemed lost in him, and like a creature kissing his feet. With tears rolling down her cheeks, and with moans