A History of Greek Art eBook

This eBook from the Gutenberg Project consists of approximately 181 pages of information about A History of Greek Art.

A History of Greek Art eBook

This eBook from the Gutenberg Project consists of approximately 181 pages of information about A History of Greek Art.

After what has been said of the gradual changes in the Doric order, it will be understood that the Ionic order was not the same in the sixth century as in the fifth, nor in the fifth the same as in the third.  The most striking change concerns the spiral roll of the capital.  In the good period the portion of this member which connects the volutes is bounded below by a depressed curve, graceful and vigorous.  With the gradual degradation of taste this curve tended to become a straight line, the result being the unlovely, mechanical form shown in Fig. 71 (from a building of Ptolemy Philadelphus, who reigned from 283 to 246 B.C.).  Better formed capitals than this continued for some time to be made in Greek lands; but the type just shown, or rather something resembling it in the disagreeable feature noted, became canonical with Roman architects.

The Corinthian order, as it is commonly called, hardly deserves to be called a distinct order.  Its only peculiar feature is the capital; otherwise it agrees with the Ionic order.  The Corinthian capital is said to have been invented in the fifth century; and a solitary specimen, of a meager and rudimentary type, found in 1812 in the Temple of Apollo at Bassae, but since lost, was perhaps an original part of that building (about 430 B. C).  At present the earliest extant specimens are from the interior of a round building of the fourth century near Epidaurus in Argolis (Fig. 72). [Footnote:  For some reason or other the particular capital shown in our illustration was not used in the building, but it is of the same model as those actually used, except that the edge of the abacus is not finished.] It was from such a form as this that the luxuriant type of Corinthian capital so much in favor with Roman architects and their public was derived.  On the other hand, the form shown in Fig. 73, from a little building erected in 334 B.C. or soon after, is a variant which seems to have left no lineal successors.  In its usual form the Corinthian capital has a cylindrical core, which expands slightly toward the top so as to become bell-shaped; around the lower part of this core are two rows of conventionalized acanthus leaves, eight in each row; from these rise eight principal stalks (each, in fully developed examples, wrapped about its base with an acanthus leaf) which combine, two and two, to form four volutes (helices), one under each corner of the abacus, while smaller stalks, branching from the first, cover the rest of the upper part of the core; there is commonly a floral ornament on the middle of each face at the top; finally the abacus has, in plan, the form of a square whose sides have been hollowed out and whose corners have been truncated.  In the form shown in Fig. 73 we find, first, a row of sixteen simple leaves, like those of a reed, with the points of a second row showing between them; then a single row of eight acanthus leaves; then the scroll-work, supporting a palmette on each side; and finally an

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A History of Greek Art from Project Gutenberg. Public domain.