A History of Greek Art eBook

This eBook from the Gutenberg Project consists of approximately 181 pages of information about A History of Greek Art.

A History of Greek Art eBook

This eBook from the Gutenberg Project consists of approximately 181 pages of information about A History of Greek Art.
The part connecting the volutes is slightly hollowed, and the channel thus formed is continued into the volutes.  As seen from the side (Fig. 63), the end of the spiral roll is called a Bolster; it has the appearance of being drawn together by a number of encircling bands.  On the front, the angles formed by the spiral roll are filled by a conventionalized floral ornament (the so-called palmette).  Above the spiral roll is a low abacus, oblong or square in plan.  In Fig. 62 the profile of the abacus is an ovolo on which the egg-and-dart ornament was painted (cf.  Fig. 66, where the ornament is sculptured).  In Fig. 61, as in Fig. 71, the profile is a complex curve called a cyma reversa, convex above and concave below, enriched with a sculptured leaf-and-dart ornament. [Footnote:  The egg-and-dart is found only on the ovolo, the leaf-and-dart only on the cyma reversa or the cyma recta (concave above and convex below) Both ornaments are in origin leaf-patterns one row of leaves showing their points behind another row.] Finally, attention may be called to the astragal or Pearl-beading just under the ovolo in Figs. 61, 71.  This might be described as a string of beads and buttons, two buttons alternating with a single bead.

In the normal Ionic capital the opposite faces are of identical appearance.  If this were the case with the capital at the corner of a building, the result would be that on the side of the building all the capitals would present their bolsters instead of their volutes to the spectator.  The only way to prevent this was to distort the corner capital into the form shown by Fig. 64; cf. also Figs. 61 and 70.

The Ionic architrave is divided horizontally into three (or sometimes two) bands, each of the upper ones projecting slightly over the one below it.  It is crowned by a sort of cornice enriched with moldings.  The frieze is not divided like the Doric frieze, but presents an uninterrupted surface.  It may be either plain or covered with relief-sculpture.  It is finished off with moldings along the upper edge.  The cornice (cf.  Fig. 65) consists of two principal parts.  First comes a projecting block, into whose face rectangular cuttings have been made at short intervals, thus leaving a succession of cogs or dentels; above these are moldings.  Secondly there is a much more widely projecting block, the Corona, whose under surface is hollowed to lighten the weight and whose face is capped with moldings.  The raking cornice is like the horizontal cornice except that it has no dentels.  The sima or gutter-facing, whose profile is here a cyma recta (concave above and convex below), is enriched with sculptured floral ornament.

In the Ionic buildings of Attica the base of the column consists of two tori separated by a trochilus.  The proportions of these parts vary considerably.  The base in Fig. 66 (from a building finished about 408 B.C.) is worthy of attentive examination by reason of its harmonious proportions.  In the Roman form of this base, too often imitated nowadays, the trochilus has too small a diameter.  The Attic-Ionic cornice never has dentels, unless the cornice of the Caryatid portico of the Erechtheum ought to be reckoned as an instance (Fig. 67).

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A History of Greek Art from Project Gutenberg. Public domain.