tears, replied: “I don’t belong to
the parish!” What that man thought of tears
would be still more true of laughter. However
spontaneous it seems, laughter always implies a kind
of secret freemasonry, or even complicity, with other
laughers, real or imaginary. How often has it
been said that the fuller the theatre, the more uncontrolled
the laughter of the audience! On the other hand,
how often has the remark been made that many comic
effects are incapable of translation from one language
to another, because they refer to the customs and
ideas of a particular social group! It is through
not understanding the importance of this double fact
that the comic has been looked upon as a mere curiosity
in which the mind finds amusement, and laughter itself
as a strange, isolated phenomenon, without any bearing
on the rest of human activity. Hence those definitions
which tend to make the comic into an abstract relation
between ideas: “an intellectual contrast,”
“a palpable absurdity,”
etc.,—definitions
which, even were they really suitable to every form
of the comic, would not in the least explain why the
comic makes us laugh. How, indeed, should it come
about that this particular logical relation, as soon
as it is perceived, contracts, expands and shakes
our limbs, whilst all other relations leave the body
unaffected? It is not from this point of view
that we shall approach the problem. To understand
laughter, we must put it back into its natural environment,
which is society, and above all must we determine
the utility of its function, which is a social one.
Such, let us say at once, will be the leading idea
of all our investigations. Laughter must answer
to certain requirements of life in common. It
must have a
social signification.
Let us clearly mark the point towards which our three
preliminary observations are converging. The
comic will come into being, it appears, whenever a
group of men concentrate their attention on one of
their number, imposing silence on their emotions and
calling into play nothing but their intelligence.
What, now, is the particular point on which their
attention will have to be concentrated, and what will
here be the function of intelligence? To reply
to these questions will be at once to come to closer
grips with the problem. But here a few examples
have become indispensable.
II
A man, running along the street, stumbles and falls;
the passers-by burst out laughing. They would
not laugh at him, I imagine, could they suppose that
the whim had suddenly seized him to sit down on the
ground. They laugh because his sitting down is
involuntary.
Consequently, it is not his sudden change of attitude
that raises a laugh, but rather the involuntary element
in this change,—his clumsiness, in fact.
Perhaps there was a stone on the road. He should
have altered his pace or avoided the obstacle.
Instead of that, through lack of elasticity, through
absentmindedness and a kind of physical obstinacy,
as A result, in fact, of rigidity
or of momentum, the muscles continued
to perform the same movement when the circumstances
of the case called for something else. That is
the reason of the man’s fall, and also of the
people’s laughter.