Yes, there was a distinct connection between those homely memories and picturings which took him in thought to Sowerby Bridge, and the image of Cecily Doran which had caused him to waste all this time in Naples.  They represented two worlds, in both of which he had some part; but it was only too certain with which of them he was the more closely linked.  What but mere accident put him in contact with the world which was Cecily’s?  Through her aunt she had aristocratic relatives; her wealth made her a natural member of what is called society; her beauty and her brilliancy marked her to be one of society’s ornaments.  What could she possibly be to him, Ross Mallard, landscape-painter of small if any note, as unaristocratic in mind and person as any one that breathed?  To put the point with uncompromising plainness, and therefore in all its absurdity, how could he possibly imagine Cecily Doran called Mrs. Mallard?

The thing was flagrantly, grossly, palpably absurd.  He tingled in the ears in trying to represent to himself how Cecily would think of it, if by any misfortune it were ever suggested to her.

Then why not, in the name of common sense, cease to ponder such follies, and get on with the work which waited for him?  Why this fluttering about a flame which scorched him more and more dangerously?  It was not the first time that he had experienced temptations of this kind; a story of five years ago, its scene in London, should have reminded him that he could stand a desperate wrench when convinced that his life’s purpose depended upon it.  Here were three years of trusteeship before him—­he could not, or would not, count on her marrying before she came of age.  Her letters would still come; from time to time doubtless he must meet her.  It had all resulted from this confounded journey taken together!  Why, knowing himself sufficiently, did he consent to meet the people at Genoa, loitering there for a couple of days in expectancy?  Why had he come to Italy at all just now?

The answers to all such angry queries were plain enough. however he had hitherto tried to avoid them.  He was a lonely man like his father, but not content with loneliness; friendship was always strong to tempt him, and when the thought of something more than friendship had been suffered to take hold upon his imagination, it held with terrible grip, burning, torturing.  He had come simply to meet Cecily; there was the long and short of it.  It was a weakness, such as any man may be guilty of, particularly any artist who groans in lifelong solitude.  Let it he recognized; let it be flung savagely into the past, like so many others encountered and overcome on his course.