—­That mole is the last to go, Stephen said, laughing.

John Eglinton made a nothing pleasing mow.

—­If that were the birthmark of genius, he said, genius would be a drug in the market.  The plays of Shakespeare’s later years which Renan admired so much breathe another spirit.

—­The spirit of reconciliation, the quaker librarian breathed.

—­There can be no reconciliation, Stephen said, if there has not been a sundering.

Said that.

—­If you want to know what are the events which cast their shadow over the hell of time of king Lear, Othello, hamlet, troilus and Cressida, look to see when and how the shadow lifts.  What softens the heart of a man, shipwrecked in storms dire, Tried, like another Ulysses, Pericles, prince of Tyre?

Head, redconecapped, buffeted, brineblinded.

—­A child, a girl, placed in his arms, Marina.

—­The leaning of sophists towards the bypaths of apocrypha is a constant quantity, John Eglinton detected.  The highroads are dreary but they lead to the town.

Good Bacon:  gone musty.  Shakespeare Bacon’s wild oats.  Cypherjugglers going the highroads.  Seekers on the great quest.  What town, good masters?  Mummed in names:  A. E., eon:  Magee, John Eglinton.  East of the sun, west of the moon:  TIR na N-og.  Booted the twain and staved.

    How many miles to Dublin? 
    Three score and ten, sir. 
    Will we be there by candlelight?

—­Mr Brandes accepts it, Stephen said, as the first play of the closing period.

—­Does he?  What does Mr Sidney Lee, or Mr Simon Lazarus as some aver his name is, say of it?

—­Marina, Stephen said, a child of storm, Miranda, a wonder, Perdita, that which was lost.  What was lost is given back to him:  his daughter’s child.  My dearest wife, Pericles says, was like this maid.  Will any man love the daughter if he has not loved the mother?

—­The art of being a grandfather, Mr Best gan murmur.  L’ART d’etre grand ...

—­Will he not see reborn in her, with the memory of his own youth added, another image?

Do you know what you are talking about?  Love, yes.  Word known to all men.  Amor vero aliquid alicui bonum vult unde et ea quae concupiscimus ...

—­His own image to a man with that queer thing genius is the standard of all experience, material and moral.  Such an appeal will touch him.  The images of other males of his blood will repel him.  He will see in them grotesque attempts of nature to foretell or to repeat himself.

The benign forehead of the quaker librarian enkindled rosily with hope.