Budge himself had the face of a rapt saint as he told this story, but my contemplation of his countenance was suddenly arrested by Toddie, who, disapproving of the unexciting nature of his brother’s recital, had strayed into the garden, investigated a hornet’s nest, been stung, and set up a piercing shriek. He ran in to me, and as I hastily picked him up, he sobbed:—
“Want to be wocked. [Footnote: Rocked.] Want ’Toddie one boy day.’”
I rocked him violently, and petted him tenderly, but again he sobbed:—
“Want ‘Toddie one boy day.’”
“What does the child mean?” I exclaimed.
“He wants you to sing to him about ‘Charley boy one day,’” said Budge. “He always wants mamma to sing that when he’s hurt, an’ then he stops crying.”
“I don’t know it,” said I. “Won’t ‘Roll, Jordan,’ do, Toddie?”
“I’ll tell you how it goes,” said Budge, and forthwith the youth sang the following song, a line at a time, I following him in words and air:—
“Where is my little
bastik [Footnote: Basket.] gone?”
Said Charley, one boy day;
“I guess some little
boy or girl
Has taken it away.
“An’ kittie, too—where
ish she gone?
Oh dear, what shall I do?
I wish I could my bastik find,
An’ little kittie, too.
“I’ll go to mamma’s
room an’ look;
Perhaps she may be there;
For kittie likes to take a
nap
In mamma’s easy chair.
“O mamma, mamma, come
an’ look
See what a little heap!
Here’s kittie in the
bastik here,
All cuddled down to sleep.”
Where the applicability of this poem to my nephew’s peculiar trouble appeared, I could not see, but as I finished it, his sobs gave place to a sigh of relief.
“Toddie,” said I, “do you love your Uncle Harry?”
“Esh, I do love you.”
“Then tell me how that ridiculous song comforts you.”