country, known as “apple-cuts,” now, alas!
nearly obsolete, where so many things were cut and
dried besides apples! The larger and more loaded
the orchard, the more frequently the invitations went
round and the higher the social and convivial spirit
ran. Ours is eminently a country of the orchard.
Horace Greeley said he had seen no land in which the
orchard formed such a prominent feature in the rural
and agricultural districts. Nearly every farmhouse
in the Eastern and Northern States has its setting
or its background of apple-trees, which generally
date back to the first settlement of the farm.
Indeed, the orchard, more than almost any other thing,
tends to soften and humanize the country, and to give
the place of which it is an adjunct a settled, domestic
look. The apple-tree takes the rawness and wildness
off any scene. On the top of a mountain, or in
remote pastures, it sheds the sentiment of home.
It never loses its domestic air, or lapses into a
wild state. And in planting a homestead, or in
choosing a building-site for the new house, what a
help it is to have a few old, maternal apple-trees
near by,—regular old grandmothers, who have
seen trouble, who have been sad and glad through so
many winters and summers, who have blossomed till
the air about them is sweeter than elsewhere, and
borne fruit till the grass beneath them has become
thick and soft from human contact, and who have nourisbed
robins and finches in their branches till they have
a tender, brooding look! The ground, the turf,
the atmosphere of an old orchard, seem several stages
nearer to man than that of the adjoining field, as
if the trees had given back to the soil more than
they had taken from it; as if they had tempered the
elements, and attracted all the genial and beneficent
influences in the landscape around.
An apple orchard is sure to bear you several crops
beside the apple. There is the crop of sweet
and tender reminiscences, dating from childhood and
spanning the seasons from May to October, and making
the orchard a sort of outlying part of the household.
You have played there as a child, mused there as a
youth or lover, strolled there as a thoughtful, sad-eyed
man. Your father, perhaps, planted the trees,
or reared them from the seed, and you yourself have
pruned and grafted them, and worked among them, till
every separate tree has a peculiar history and meaning
in your mind. Then there is the never-failing
crop of birds,—robins, goldfinches, kingbirds,
cedar-birds, hairbirds, orioles, starlings,—all
nesting and breeding in its branches, and fitly described
by Wilson Flagg as “Birds of the Garden and Orchard.”
Whether the pippin and sweet bough bear or not, the
“punctual birds” can always be depended
on. Indeed, there are few better places to study
ornithology than in the orchard. Besides its regular
occupants, many of the birds of the deeper forest
find occasion to visit it during the season.
The cuckoo comes for the tent-caterpillar, the jay