Mr Foreson!

Foreson. [Re-appearing] Sir?

Vane.  See this marked right.  Now, come on with it!  I want to get some beauty into this!

     [While he is speaking, Herbert, the call boy, appears from the
     wings Right, a mercurial youth of about sixteen with a wide
     mouth.]

Foreson. [Maliciously] Here you are, then, Mr Vane.  Herbert, sit in that chair.

     [Herbert sits an the armchair, with an air of perfect peace.]

Vane.  Now! [All the lights go out.  In a wail] Great Scott!

[A throaty chuckle from Foreson in the darkness.  The light dances up, flickers, shifts, grows steady, falling on the orchard outside.  The reading lamp darts alight and a piercing little glare from it strikes into the auditorium away from Herbert.]

[In a terrible voice] Mr Foreson.

Foreson.  Sir?

Vane.  Look—­at—­that—­shade!

     [Foreson mutters, walks up to it and turns it round so that the
     light shines on Herbert’s legs.]

On his face, on his face!

     [Foreson turns the light accordingly.]

Foreson.  Is that what you want, Mr Vane?

Vane.  Yes.  Now, mark that!

Foreson. [Up into wings Right] Electrics!

Electrics.  Hallo!

Foreson.  Mark that!

Vane.  My God!

     [The blue suddenly becomes amber.]

     [The blue returns.  All is steady.  Herbert is seen diverting
     himself with an imaginary cigar.]

Mr Foreson.

Foreson.  Sir?

Vane.  Ask him if he’s got that?

Foreson.  Have you got that?

Electrics.  Yes.

Vane.  Now pass to the change.  Take your floats off altogether.

Foreson. [Calling up] Floats out. [They go out.]

Vane.  Cut off that lamp. [The lamp goes out] Put a little amber in your back batten.  Mark that!  Now pass to the end.  Mr Foreson!

Foreson.  Sir?

Vane.  Black out

Foreson. [Calling up] Black out!

     [The lights go out.]

Vane.  Give us your first lighting-lamp on.  And then the two changes.  Quick as you can.  Put some pep into it.  Mr Foreson!

Foreson.  Sir?

Vane.  Stand for me where Miss Hellgrove comes in.  Foreson crosses to the window.  No, no!—­by the curtain.

     [Foreson takes his stand by the curtain; and suddenly the three
     lighting effects are rendered quickly and with miraculous
     exactness.]

Good!  Leave it at that.  We’ll begin.  Mr Foreson, send up to Mr Frust.