XVII
Out of doors into the night!
On
to the maze
Of
the wild wood-ways,
Not turning to left nor right
>From the pathway, blind with sight—
XVIII
Making thro’ rain and wind
O’er
the broken shrubs,
’Twixt
the stems and stubs,
With a still, composed, strong mind,
Nor a care for the world behind—
90
XIX
Swifter and still more swift,
As
the crowding peace
Doth
to joy increase
In the wide blind eyes uplift
Thro’ the darkness and the drift!
XX
While I—to the shape, I too
Feel
my soul dilate
Nor
a whit abate,
And relax not a gesture due,
As I see my belief come true.
100
XXI
For, there! have I drawn or no
Life
to that lip?
Do
my fingers dip
In a flame which again they throw
On the cheek that breaks a-glow?
XXII
Ha! was the hair so first?
What,
unfilleted,
Made
alive, and spread
Through the void with a rich outburst,
Chestnut gold-interspersed?
110
XXIII
Like the doors of a casket-shrine,
See,
on either side,
Her
two arms divide
Till the heart betwixt makes sign,
Take me, for I am thine!
XXIV
“Now—now”—the door
is heard!
Hark,
the stairs! and near—
Nearer—and
here—
“Now!” and at call the third
She enters without a word.
120
XXV
On doth she march and on
To
the fancied shape;
It
is, past escape,
Herself, now: the dream is done
And the shadow and she are one.
XXVI
First I will pray. Do Thou
That
ownest the soul,
Yet
wilt grant control
To another, nor disallow
For a time, restrain me now!
130
XXVII
I admonish me while I may,
Not
to squander guilt,
Since
require Thou wilt
At my hand its price one day!
What the price is, who can say?
Notes: “Mesmerism.” With a continuous tension of will, whose unbroken concentration impregnates the very structure of the poem, a mesmerist describes the processes of the act by which he summons shape and soul of the woman he desires; and then reverent perception of the sacredness of the soul awes him from trespassing upon another’s individuality.