white marble, bearing in gilt letters the name “Cornelia
Graham, aged twenty-three.” It was in the
form of a temple, with slender fluted columns supporting
the portico; and on the ornate capitals was inscribed
in corresponding gilt characters, “Silentio!
silentio!” At the entrance stood two winged forms,
crowned with wreaths of poppies; and a pair of beautiful
vases held withered flowers. Beulah sat on the
marble steps. Before her stretched aisles of
tombstones; the sunshine sparkled on their polished
surfaces, and was reflected as from countless mirrors.
Myrtle and laurel trees waved gently in the icy north
wind, and stately, solemn cedars kept guard in every
inclosure. All was silent and still, save those
funereal evergreen boughs which stirred softly as
if fearful of disturbing the pale sleepers around them.
Human nature shrinks appalled from death and all that
accompanies it; but in the deep repose, the sacred
hush, which reigned over the silent city, there was
for Beulah something inexpressibly soothing. In
a neighboring lot she could see a simple white slab
Eugene had erected over the remains of the friend
of their childhood. Her labors ended, the matron
slept near the forms of Lilly and Cornelia. Here
winter rains fell unheeded, and here the balmy breath
of summer brought bright blossoms and luxuriant verdure.
Mocking-birds sang cheerfully in the sentinel cedars,
and friends wandered slowly over the shelled walks,
recalling the past. Here there was no gloom to
affright the timid soul; all was serene and inviting.
Why should the living shrink from a resting-place
so hallowed and peaceful? And why should death
be invested with fictitious horrors? A procession
entered one of the gates, and wound along the carriage
road to a remote corner of the burying-ground.
The slow, measured tread of the horses, the crush
of wheels on the rocky track, and the smothered sobs
of the mourners, all came in subdued tones to Beulah’s
ears. Then the train disappeared, and she was
again in solitude. Looking up, her eyes rested
on the words above her: “Silentio! silentio!”
They were appropriate, indeed, upon the monument of
her who had gone down into the tomb so hopelessly,
so shudderingly. Years had passed since the only
child had been laid here; yet the hour of release was
as fresh in Beulah’s memory as though she had
seen the convulsed features but yesterday; and the
words repeated that night seemed now to issue from
the marble lips of the statues beside her: “For
here we have no continuing city, but seek one to come.”
With her cheek on her hand, the orphan sat pondering
the awful mystery which darkened the last hour of
the young sleeper; and, looking back over her own life,
during the season when she “was without God and
without hope,” she saw that only unbelief had
clothed death with terror. Once she stood on
this same spot, and with trembling horror saw the coffin
lowered. Had death touched her then, she would
have shrunk appalled from the summons; but now it
was otherwise.