“And to tremble at my ghost,” exclaimed Bonaparte, laughing.  “Look at this selfish woman, she does not wish me a hero’s death, lest I should appear to her here in the shape of a bloody placard!”

With her small bejewelled hand Josephine closed his mouth, and ordered lights to be brought; she asked Lavalette to play a lively dancing-tune, and cried out to the joyous youthful group, at the head of whom were Hortense and Eugene, to fall in for a dance.

“Nothing more charming,” writes the Duchess d’Abrantes, “could be seen than a ball in Malmaison, made up as it was of the young ladies whom the military family of the first consul brought together, and who, without having the name of it, formed the court of Madame Bonaparte.  They were all young, many of them very beautiful; and when this lovely group were dressed in white crape, adorned with flowers, their heads crowned with wreaths as fresh as the hues of their young, laughing, charming faces, it was indeed a bewitching sight to witness the animated and lively dance in these halls, through which walked the first consul, surrounded by the men with whom he discussed and decided the destinies of Europe.” [Footnote:  Abrantes, “Memoires,” vol. iii., p. 329.]

But the best and most exciting amusement in Malmaison was the theatre; and nothing delighted Bonaparte so much as this, where the young troop of lovers in the palace performed little operas and vaudevilles, and went through their parts with all the eagerness of real actors, perfectly happy in having the consul and his wife for audience.  In Malmaison, Bonaparte abandoned himself with boundless joy to his fondness for the theatre; here he applauded with all the gusto of an amateur, laughed with the laisser-aller of a college-boy at the harmless jokes of the vaudevilles, and here also he took great pleasure in the dramatic performances of Eugene, who excelled especially in comic roles.

Bonaparte had a most convenient stage constructed in Malmaison for his actors; he had the most beautiful costumes made for each new piece, and the actors Talma and Michet had to come every week to the chateau, to give the young people instruction in their parts.  The ordinary actors of this theatre in the castle were Eugene and Hortense, Caroline Murat, Lauriston, M. Didelot, the prefect of the palace, some of the officers attached to the establishment, and the Count Bourrienne, the friend of Bonaparte’s youth, who now had become the first secretary of the consul.  The pieces which Bonaparte attended with the greatest pleasure were the “Barber of Seville,” and “Mistrust and Malice.”  The young and amiable Hortense made an excellent Rosine in the “Barber of Seville,” and Bonaparte never failed to clap his hands in hearty applause to Hortense, when Josephine with cheerful smiles would thank him, for she seemed as proud of her daughter’s talent as of her husband’s applause.

Bourrienne, in his memoirs, gives a faithful description of those evening theatrical performances, and of the happy life enjoyed in Malmaison; he lingers with a sober joy over those beautiful and innocent memories of other days.