A Portrait of the Artist as a Young Man eBook

This eBook from the Gutenberg Project consists of approximately 312 pages of information about A Portrait of the Artist as a Young Man.

A Portrait of the Artist as a Young Man eBook

This eBook from the Gutenberg Project consists of approximately 312 pages of information about A Portrait of the Artist as a Young Man.

He had no temptations to sin mortally.  It surprised him however to find that at the end of his course of intricate piety and self-restraint he was so easily at the mercy of childish and unworthy imperfections.  His prayers and fasts availed him little for the suppression of anger at hearing his mother sneeze or at being disturbed in his devotions.  It needed an immense effort of his will to master the impulse which urged him to give outlet to such irritation.  Images of the outbursts of trivial anger which he had often noted among his masters, their twitching mouths, close-shut lips and flushed cheeks, recurred to his memory, discouraging him, for all his practice of humility, by the comparison.  To merge his life in the common tide of other lives was harder for him than any fasting or prayer and it was his constant failure to do this to his own satisfaction which caused in his soul at last a sensation of spiritual dryness together with a growth of doubts and scruples.  His soul traversed a period of desolation in which the sacraments themselves seemed to have turned into dried-up sources.  His confession became a channel for the escape of scrupulous and unrepented imperfections.  His actual reception of the eucharist did not bring him the same dissolving moments of virginal self-surrender as did those spiritual communions made by him sometimes at the close of some visit to the Blessed Sacrament.  The book which he used for these visits was an old neglected book written by saint Alphonsus Liguori, with fading characters and sere foxpapered leaves.  A faded world of fervent love and virginal responses seemed to be evoked for his soul by the reading of its pages in which the imagery of the canticles was interwoven with the communicant’s prayers.  An inaudible voice seemed to caress the soul, telling her names and glories, bidding her arise as for espousal and come away, bidding her look forth, a spouse, from Amana and from the mountains of the leopards; and the soul seemed to answer with the same inaudible voice, surrendering herself:  Inter UBERA mea COMMORABITUR.

This idea of surrender had a perilous attraction for his mind now that he felt his soul beset once again by the insistent voices of the flesh which began to murmur to him again during his prayers and meditations.  It gave him an intense sense of power to know that he could, by a single act of consent, in a moment of thought, undo all that he had done.  He seemed to feel a flood slowly advancing towards his naked feet and to be waiting for the first faint timid noiseless wavelet to touch his fevered skin.  Then, almost at the instant of that touch, almost at the verge of sinful consent, he found himself standing far away from the flood upon a dry shore, saved by a sudden act of the will or a sudden ejaculation; and, seeing the silver line of the flood far away and beginning again its slow advance towards his feet, a new thrill of power and satisfaction shook his soul to know that he had not yielded nor undone all.

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A Portrait of the Artist as a Young Man from Project Gutenberg. Public domain.