A Portrait of the Artist as a Young Man eBook

This eBook from the Gutenberg Project consists of approximately 312 pages of information about A Portrait of the Artist as a Young Man.

A Portrait of the Artist as a Young Man eBook

This eBook from the Gutenberg Project consists of approximately 312 pages of information about A Portrait of the Artist as a Young Man.

    —­Brother Hickey. 
    Brother Quaid. 
    Brother MacArdle. 
    Brother Keogh.—­

Their piety would be like their names, like their faces, like their clothes, and it was idle for him to tell himself that their humble and contrite hearts, it might be, paid a far richer tribute of devotion than his had ever been, a gift tenfold more acceptable than his elaborate adoration.  It was idle for him to move himself to be generous towards them, to tell himself that if he ever came to their gates, stripped of his pride, beaten and in beggar’s weeds, that they would be generous towards him, loving him as themselves.  Idle and embittering, finally, to argue, against his own dispassionate certitude, that the commandment of love bade us not to love our neighbour as ourselves with the same amount and intensity of love but to love him as ourselves with the same kind of love.

He drew forth a phrase from his treasure and spoke it softly to himself: 

—­A day of dappled seaborne clouds.

The phrase and the day and the scene harmonized in a chord.  Words.  Was it their colours?  He allowed them to glow and fade, hue after hue:  sunrise gold, the russet and green of apple orchards, azure of waves, the grey-fringed fleece of clouds.  No, it was not their colours:  it was the poise and balance of the period itself.  Did he then love the rhythmic rise and fall of words better than their associations of legend and colour?  Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language many-coloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?

He passed from the trembling bridge on to firm land again.  At that instant, as it seemed to him, the air was chilled and, looking askance towards the water, he saw a flying squall darkening and crisping suddenly the tide.  A faint click at his heart, a faint throb in his throat told him once more of how his flesh dreaded the cold infrahuman odour of the sea; yet he did not strike across the downs on his left but held straight on along the spine of rocks that pointed against the river’s mouth.

A veiled sunlight lit up faintly the grey sheet of water where the river was embayed.  In the distance along the course of the slow-flowing Liffey slender masts flecked the sky and, more distant still, the dim fabric of the city lay prone in haze.  Like a scene on some vague arras, old as man’s weariness, the image of the seventh city of christendom was visible to him across the timeless air, no older nor more weary nor less patient of subjection than in the days of the thingmote.

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A Portrait of the Artist as a Young Man from Project Gutenberg. Public domain.