he speaks of curiosity, but with us the word always
conveys a certain notion of frivolous and unedifying
activity. In the Quarterly Review, some little
time ago, was an estimate of the celebrated French
critic, Monsieur Sainte-Beuve, and a very inadequate
estimate it, in my judgment, was. And its inadequacy
consisted chiefly in this: that in our English
way it left out of sight the double sense really involved
in the word curiosity, thinking enough was said to
stamp Monsieur Sainte-Beuve with blame if it was said
that he was impelled in his operations as a critic
by curiosity, and omitting either to perceive that
Monsieur Sainte-Beuve himself, and many other people
with him, would consider that this was praiseworthy
and not blameworthy, or to point out why it ought really
to be accounted worthy of blame [7] and not of praise.
For as there is a curiosity about intellectual matters
which is futile, and merely a disease, so there is
certainly a curiosity,—a desire after the
things of the mind simply for their own sakes and for
the pleasure of seeing them as they are,—which
is, in an intelligent being, natural and laudable.
Nay, and the very desire to see things as they are
implies a balance and regulation of mind which is not
often attained without fruitful effort, and which
is the very opposite of the blind and diseased impulse
of mind which is what we mean to blame when we blame
curiosity. Montesquieu says:—“The
first motive which ought to impel us to study is the
desire to augment the excellence of our nature, and
to render an intelligent being yet more intelligent.”
This is the true ground to assign for the genuine scientific
passion, however manifested, and for culture, viewed
simply as a fruit of this passion; and it is a worthy
ground, even though we let the term curiosity stand
to describe it.
But there is of culture another view, in which not
solely the scientific passion, the sheer desire to
see things as they are, natural and proper in an intelligent
[8] being, appears as the ground of it. There
is a view in which all the love of our neighbour, the
impulses towards action, help, and beneficence, the
desire for stopping human error, clearing human confusion,
and diminishing the sum of human misery, the noble
aspiration to leave the world better and happier than
we found it,—motives eminently such as are
called social,—come in as part of the grounds
of culture, and the main and pre-eminent part.
Culture is then properly described not as having
its origin in curiosity, but as having its origin in
the love of perfection; it is a study of perfection.
It moves by the force, not merely or primarily of
the scientific passion for pure knowledge, but also
of the moral and social passion for doing good.
As, in the first view of it, we took for its worthy
motto Montesquieu’s words: “To render
an intelligent being yet more intelligent!” so,
in the second view of it, there is no better motto
which it can have than these words of Bishop Wilson: