Literary Friends and Acquaintance; a Personal Retrospect of American Authorship eBook

This eBook from the Gutenberg Project consists of approximately 457 pages of information about Literary Friends and Acquaintance; a Personal Retrospect of American Authorship.

Literary Friends and Acquaintance; a Personal Retrospect of American Authorship eBook

This eBook from the Gutenberg Project consists of approximately 457 pages of information about Literary Friends and Acquaintance; a Personal Retrospect of American Authorship.

He was very sensitive to criticism, especially from those he valued through his head or heart.  He would try to hide his hurt, and he would not let you speak of it, as though your sympathy unmanned him, but you could see that he suffered.  This notably happened in my remembrance from a review in a journal which he greatly esteemed; and once when in a notice of my own I had put one little thorny point among the flowers, he confessed a puncture from it.  He praised the criticism hardily, but I knew that he winced under my recognition of the didactic quality which he had not quite guarded himself against in the poetry otherwise praised.  He liked your liking, and he openly rejoiced in it; and I suppose he made himself believe that in trying his verse with his friends he was testing it; but I do not believe that he was, and I do not think he ever corrected his judgment by theirs, however he suffered from it.

In any matter that concerned literary morals he was more than eager to profit by another eye.  One summer he sent me for the Magazine a poem which, when I read it, I trembled to find in motive almost exactly like one we had lately printed by another contributor.  There was nothing for it but to call his attention to the resemblance, and I went over to Elmwood with the two poems.  He was not at home, and I was obliged to leave the poems, I suppose with some sort of note, for the next morning’s post brought me a delicious letter from him, all one cry of confession, the most complete, the most ample.  He did not trouble himself to say that his poem was an unconscious reproduction of the other; that was for every reason unnecessary, but he had at once rewritten it upon wholly different lines; and I do not think any reader was reminded of Mrs. Akers’s “Among the Laurels” by Lowell’s “Foot-path.”  He was not only much more sensitive of others’ rights than his own, but in spite of a certain severity in him, he was most tenderly regardful of their sensibilities when he had imagined them:  he did not always imagine them.

VI.

At this period, between the years 1866 and 1874, when he unwillingly went abroad for a twelvemonth, Lowell was seen in very few Cambridge houses, and in still fewer Boston houses.  He was not an unsocial man, but he was most distinctly not a society man.  He loved chiefly the companionship of books, and of men who loved books; but of women generally he had an amusing diffidence; he revered them and honored them, but he would rather not have had them about.  This is over-saying it, of course, but the truth is in what I say.  There was never a more devoted husband, and he was content to let his devotion to the sex end with that.  He especially could not abide difference of opinion in women; he valued their taste, their wit, their humor, but he would have none of their reason.  I was by one day when he was arguing a point with one of his nieces, and after it

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Literary Friends and Acquaintance; a Personal Retrospect of American Authorship from Project Gutenberg. Public domain.