[Mr. George T. Robinson, F.S.A., in a paper on “Decorative Plaster Work,” read before the Society of Arts in April, 1891, refers to the ceilings at Audley End as presenting an excellent idea of the state of the stuccoer’s art in the middle of James I.’s reign, and adds, “Few houses in England can show so fine a series of the same date . . . The great hall has medallions in the square portions of the ceiling formed by its dividing timber beams. The large saloon on the principal floor-a room about 66 feet long by 30 feet wide-has a very remarkable ceiling of the pendentive type, which presents many peculiarities, the most notable of which, that these not only depend from the ceiling, but the outside ones spring from the walls in a natural and structural manner. This is a most unusual circumstance in the stucco work of the time, the reason for the omission of this reasonable treatment evidently being the unwillingness of the stuccoer to omit his elaborate frieze in which he took such delight” ("Journal Soc. of Arts,” vol. xxxix., p. 449)]
Only the gallery is good, and, above all things, the cellars, where we went down and drank of much good liquor; and indeed the cellars are fine: and here my wife and I did sing to my great content. And then to the garden, and there eat many grapes, and took some with us and so away thence, exceeding well satisfied, though not to that degree that, by my old esteem of the house, I ought and did expect to have done, the situation of it not pleasing me. Here we parted with Lowther and his friends, and away to Cambridge, it being foul, rainy weather, and there did take up at the Rose, for the sake of Mrs. Dorothy Drawwater, the vintner’s daughter, which is mentioned in the play of Sir Martin Marrall. Here we had a good chamber, and bespoke a good supper; and then I took my wife, and W. Hewer, and Willet, it holding up a little, and shewed them Trinity College and St. John’s Library, and went to King’s