Out of the dream Wing Biddlebaum made a picture for George Willard.  In the picture men lived again in a kind of pastoral golden age.  Across a green open country came clean-limbed young men, some afoot, some mounted upon horses.  In crowds the young men came to gather about the feet of an old man who sat beneath a tree in a tiny garden and who talked to them.

Wing Biddlebaum became wholly inspired.  For once he forgot the hands.  Slowly they stole forth and lay upon George Willard’s shoulders.  Something new and bold came into the voice that talked.  “You must try to forget all you have learned,” said the old man.  “You must begin to dream.  From this time on you must shut your ears to the roaring of the voices.”

Pausing in his speech, Wing Biddlebaum looked long and earnestly at George Willard.  His eyes glowed.  Again he raised the hands to caress the boy and then a look of horror swept over his face.

With a convulsive movement of his body, Wing Biddlebaum sprang to his feet and thrust his hands deep into his trousers pockets.  Tears came to his eyes.  “I must be getting along home.  I can talk no more with you,” he said nervously.

Without looking back, the old man had hurried down the hillside and across a meadow, leaving George Willard perplexed and frightened upon the grassy slope.  With a shiver of dread the boy arose and went along the road toward town.  “I’ll not ask him about his hands,” he thought, touched by the memory of the terror he had seen in the man’s eyes.  “There’s something wrong, but I don’t want to know what it is.  His hands have something to do with his fear of me and of everyone.”

And George Willard was right.  Let us look briefly into the story of the hands.  Perhaps our talking of them will arouse the poet who will tell the hidden wonder story of the influence for which the hands were but fluttering pennants of promise.

In his youth Wing Biddlebaum had been a school teacher in a town in Pennsylvania.  He was not then known as Wing Biddlebaum, but went by the less euphonic name of Adolph Myers.  As Adolph Myers he was much loved by the boys of his school.

Adolph Myers was meant by nature to be a teacher of youth.  He was one of those rare, little-understood men who rule by a power so gentle that it passes as a lovable weakness.  In their feeling for the boys under their charge such men are not unlike the finer sort of women in their love of men.

And yet that is but crudely stated.  It needs the poet there.  With the boys of his school, Adolph Myers had walked in the evening or had sat talking until dusk upon the schoolhouse steps lost in a kind of dream.  Here and there went his hands, caressing the shoulders of the boys, playing about the tousled heads.  As he talked his voice became soft and musical.  There was a caress in that also.  In a way the voice and the hands, the stroking of the shoulders and the touching of the hair were a part of the schoolmaster’s effort to carry a dream into the young minds.  By the caress that was in his fingers he expressed himself.  He was one of those men in whom the force that creates life is diffused, not centralized.  Under the caress of his hands doubt and disbelief went out of the minds of the boys and they began also to dream.