If Christopher wanted to go down to the sea he would have to pass under the Gate of St. Andrew, with the old prison, now pulled down to make room for the modern buildings, on his right, and go down the Salita del Prione, which is a continuation of the Vico Dritto di Ponticello. It slopes downwards from the Gate as the first street sloped upwards to it; and it contains the same assortment of shops and of houses, the same mixture of handicrafts and industries, as were seen in the Vico Dritto di Ponticello. Presently he would come to the Piazza dell’ Erbe, where there is no grass, but only a pleasant circle of little houses and shops, with already a smack of the sea in them, chiefly suggested by the shops of instrument-makers, where to-day there are compasses and sextants and chronometers. Out of the Piazza you come down the Via di San Donato and into the Piazza of that name, where for over nine centuries the church of San Donato has faced the sun and the weather. From there Christopher’s young feet would follow the winding Via di San Bernato, a street also inhabited by craftsmen and workers in wood and metal; and at the last turn of it, a gash of blue between the two cliffwalls of houses, you see the Mediterranean.
Here, then, between the narrow little house by the Gate and the clamour and business of the sea-front, our Christopher’s feet carried him daily during some part of his childish life. What else he did, what he thought and felt, what little reflections he had, are but matters of conjecture. Genoa will tell you nothing more. You may walk over the very spot where he was born; you may unconsciously tread in the track of his vanished feet; you may wander about the wharves of the city, and see the ships loading and unloading—different ships, but still trafficking in commodities not greatly different from those of his day; you may climb the heights behind