A strictly conventional man, as the conventions of
his time and race went; probably some of his gayer
and lighter-hearted contemporaries thought him a dull
enough dog, who would not join in a carouse or a gallant
adventure, but would probably get the better of you
if he could in any commercial deal. He was a
great stickler for the observances of religion; and
never a Sunday or feast-day passed, when he was ashore,
without finding him, like the dutiful son of the Church
that he was, hearing Mass and attending at Benediction.
Not, indeed, a very attractive or inspiring figure
of a man; not the man whose company one would likely
have sought very much, or whose conversation one would
have found very interesting. A man rather whose
character was cast in a large and plain mould, without
those many facets which add so much to the brightness
of human intercourse, and which attract and reflect
the light from other minds; a man who must be tried
in large circumstances, and placed in a big setting,
if his qualities are to be seen to advantage . .
. . I seem to see him walking up from the shop
near the harbour at Lisbon towards the convent of
Saints; walking gravely and firmly, with a dignified
demeanour, with his best clothes on, and glad, for
the moment, to be free of his sea acquaintances, and
to be walking in the direction of that upper-class
world after which he has a secret hankering in his
heart. There are a great many churches in Lisbon
nearer his house where he might hear Mass on Sundays;
but he prefers to walk up to the rich and fashionable
convent of Saints, where everybody is well dressed,
and where those kindling eyes of his may indulge a
cool taste for feminine beauty.
While the chapel bell is ringing other people are
hurrying through the sunny Lisbon streets to Mass
at the convent. Among the fashionable throng
are two ladies, one young, one middle-aged; they separate
at the church door, and the younger one leaves her
mother and takes her place in the convent choir.
This is Philippa Moniz, who lives alone with her
mother in Lisbon, and amuses herself with her privileges
as a cavaliera, or dame, in one of the knightly orders
attached to the rich convent of Saints. Perhaps
she has noticed the tall figure of the young Genoese
in the strangers’ part of the convent, perhaps
not; but his roving blue eye has noticed her, and
much is to come of it. The young Genoese continues
his regular and exemplary attendance at the divine
Office, the young lady is zealous in observing her
duties in the choir; some kind friend introduces them;
the audacious young man makes his proposals, and,
in spite of the melancholy protests of the young lady’s
exceedingly respectable and highly-connected relatives,
the young people are betrothed and actually married
before the elders have time to recover breath from
their first shock at the absurdity of the suggestion.