Students of the Grail romances will not need to be reminded that the Dove makes its appearance in certain of our texts. In the Parzival it plays a somewhat important rôle; every Good Friday a Dove brings from Heaven a Host, which it lays upon the Grail; and the Dove is the badge of the Grail Knights.[50] In the prose Lancelot the coming of the Grail procession is heralded by the entrance through the window of a Dove, bearing a censer in its beak.[51] Is it not possible that it was the already existing connection in Nature ritual of these two, Dove and Fish, which led to the introduction of the former into our romances, where its rôle is never really adequately motivated? It is further to be noted that besides Dove and Fish the Syrians reverenced Stones, more especially meteoric Stones, which they held to be endowed with life potency, another point of contact with our romances.[52]
That the Fish was considered a potent factor in ensuring fruitfulness is proved by certain prehistoric tablets described by Scheftelowitz, where Fish, Horse, and Swastika, or in another instance Fish and Reindeer, are found in a combination which unmistakeably denotes that the object of the votive tablet was to ensure the fruitfulness of flocks and herds.[53]
With this intention its influence was also invoked in marriage ceremonies. The same writer points out that the Jews in Poland were accustomed to hold a Fish feast immediately on the conclusion of the marriage ceremony and that a similar practice can be prove for the ancient Greeks.[54] At the present day the Jews of Tunis exhibit a Fish’s tail on a cushion at their weddings.[55] In some parts of India the newly-wedded pair waded knee-deep into the water, and caught fish in a new garment. During the ceremony a Brahmin student, from the shore, asked solemnly, “What seest thou?” to which the answer was returned, “Sons and Cattle."[56] In all these cases there can be no doubt that it was the prolific nature of the Fish, a feature which it shares in common with the Dove, which inspired practice and intention.
Surely the effect of this cumulative body of evidence is to justify us in the belief that Fish and Fisher, being, as they undoubtedly are, Life symbols of immemorial antiquity, are, by virtue of their origin, entirely in their place in a sequence of incidents which there is solid ground for believing derive ultimately from a Cult of this nature. That Borron’s Fish-meal, that the title of Fisher King, are not accidents of literary invention but genuine and integral parts of the common body of tradition which has furnished the incidents and mise-en-scène of the Grail drama. Can it be denied that, while from the standpoint of a Christian interpretation the character of the Fisher King is simply incomprehensible, from the standpoint of Folk-tale inadequately explained, from that of a Ritual survival it assumes a profound meaning and significance? He is not merely a deeply symbolic