Yet it was his duty to confess, to suffer public shame, and to make public atonement.  There was a God who called upon men to tell their sins to earth as well as to heaven.  Nothing that he could do would cleanse him till he had told his own sin.  His sin?  He shrugged his shoulders.  The death of Basil Hallward seemed very little to him.  He was thinking of Hetty Merton.

It was an unjust mirror, this mirror of his soul that he was looking at.  Vanity?  Curiosity?  Hypocrisy?  Had there been nothing more in his renunciation than that?  There had been something more.  At least he thought so.  But who could tell?

And this murder,—­was it to dog him all his life?  Was he never to get rid of the past?  Was he really to confess?  No.  There was only one bit of evidence left against him.  The picture itself,—­that was evidence.

He would destroy it.  Why had he kept it so long?  It had given him pleasure once to watch it changing and growing old.  Of late he had felt no such pleasure.  It had kept him awake at night.  When he had been away, he had been filled with terror lest other eyes should look upon it.  It had brought melancholy across his passions.  Its mere memory had marred many moments of joy.  It had been like conscience to him.  Yes, it had been conscience.  He would destroy it.

He looked round, and saw the knife that had stabbed Basil Hallward.  He had cleaned it many times, till there was no stain left upon it.  It was bright, and glistened.  As it had killed the painter, so it [100] would kill the painter’s work, and all that that meant.  It would kill the past, and when that was dead he would be free.  He seized it, and stabbed the canvas with it, ripping the thing right up from top to bottom.

There was a cry heard, and a crash.  The cry was so horrible in its agony that the frightened servants woke, and crept out of their rooms.  Two gentlemen, who were passing in the Square below, stopped, and looked up at the great house.  They walked on till they met a policeman, and brought him back.  The man rang the bell several times, but there was no answer.  The house was all dark, except for a light in one of the top windows.  After a time, he went away, and stood in the portico of the next house and watched.

“Whose house is that, constable?” asked the elder of the two gentlemen.

“Mr. Dorian Gray’s, sir,” answered the policeman.

They looked at each other, as they walked away, and sneered.  One of them was Sir Henry Ashton’s uncle.

Inside, in the servants’ part of the house, the half-clad domestics were talking in low whispers to each other.  Old Mrs. Leaf was crying, and wringing her hands.  Francis was as pale as death.

After about a quarter of an hour, he got the coachman and one of the footmen and crept up-stairs.  They knocked, but there was no reply.  They called out.  Everything was still.  Finally, after vainly trying to force the door, they got on the roof, and dropped down on to the balcony.  The windows yielded easily:  the bolts were old.