And even in this solitude, M. d’Escorval’s situation was not without danger.
He was one of those who, some days before the disaster of Waterloo, had strongly urged the Emperor to order the execution of Fouche, the former minister of police.
Now, Fouche knew this counsel; and he was powerful.
“Take care!” M. d’Escorval’s friends wrote him from Paris.
But he put his trust in Providence, and faced the future, threatening though it was, with the unalterable serenity of a pure conscience.
The baron was still young; he was not yet fifty, but anxiety, work, and long nights passed in struggling with the most arduous difficulties of the imperial policy, had made him old before his time.
He was tall, slightly inclined to embonpoint, and stooped a little.
His calm eyes, his serious mouth, his broad, furrowed forehead, and his austere manners inspired respect.
“He must be stern and inflexible,” said those who saw him for the first time.
But they were mistaken.
If, in the exercise of his official duties, this truly great man had the strength to resist all temptations to swerve from the path of right; if, when duty was at stake, he was as rigid as iron, in private life he was as unassuming as a child, and kind and gentle even to the verge of weakness.
To this nobility of character he owed his domestic happiness, that rare and precious happiness which fills one’s existence with a celestial perfume.
During the bloodiest epoch of the Reign of Terror, M. d’Escorval had wrested from the guillotine a young girl named Victoire-Laure d’Alleu, a distant cousin of the Rhetaus of Commarin, as beautiful as an angel, and only three years younger than himself.
He loved her—and though she was an orphan, destitute of fortune, he married her, considering the treasure of her virgin heart of far greater value than the most magnificent dowry.
She was an honest woman, as her husband was an honest man, in the most strict and vigorous sense of the word.
She was seldom seen at the Tuileries, where M. d’Escorval’s worth made him eagerly welcomed. The splendors of the Imperial Court, which at that time surpassed all the pomp of the time of Louis XIV., had no attractions for her.
Grace, beauty, youth and accomplishments—she reserved them all for the adornment of her home.
Her husband was her God. She lived in him and through him. She had not a thought which did not belong to him.
The short time that he could spare from his arduous labors to devote to her were her happiest hours.
And when, in the evening, they sat beside the fire in their modest drawing-room, with their son Maurice playing on the rug at their feet, it seemed to them that they had nothing to wish for here below.
The overthrow of the empire surprised them in the heydey of their happiness.