“It is because of her millions that she was placed before me,” she said in an undertone to her husband, as soon as the guests had returned to the drawing-room.  And, giving orders that her carriage should be summoned immediately, she left the house without speaking to any one, and with the air of a peeress of England outraged in her rights of precedence!

This was, for the hostile pair, a new cause of grievance against Zibeline.  When she, in her turn, gave at her home a similar dinner, a fortnight later, she received from them, in reply to her invitation, which was couched in the most courteous terms, a simple visiting card, with the following refusal:  “The Comte and the Comtesse Desvanneaux, not being in the habit of accepting invitations during Lent, feel constrained to decline that of Mademoiselle de Vermont.”

The dinner was only the more gay and cordial.

Valentine’s household was conducted on a footing more elegant than sumptuous.

The livery was simple, but the appearance of her people was irreproachable.  The butler and the house servants wore the ordinary dress-coat and trousers; the powdered footmen wore short brown coats, ornamented, after the English fashion, with metal buttons and a false waistcoat; the breeches were of black velveteen, held above the knee by a band of gold braid, with embroidered ends, which fell over black silk stockings.  At the end of the ante-chamber where this numerous personnel was grouped, opened a long gallery, ornamented with old tapestries representing mythological subjects in lively and well-preserved coloring.  This room, which was intended to serve as a ballroom at need, was next to two large drawing-rooms.  The walls of one were covered with a rich material, on which hung costly paintings; the furniture and the ceiling of the other were of oak, finely carved, relieved with touches of gold in light and artistic design.

Everywhere was revealed an evident desire to avoid an effect of heaviness and ostentation, and this was especially noticeable in the dining-room, where the pure tone of the panels and the moulding doubled the intensity of the light thrown upon them.  Upon the table the illumination of the apartment was aided by two large candelabra of beautifully chiselled silver, filled with candles, the light of which filtered through a forest of diaphanous little white shades.

The square table was a veritable parterre of flowers, and was laid for twelve guests, three on each side.

The young mistress of the house was seated on one side, between the Duc de Montgeron and the Marquis de Prerolles.  Facing her sat the Duchesse de Montgeron, between General Lenaieff and the Chevalier de Sainte-Foy.—­Laterally, on one hand appeared Madame de Lisieux, between M. de Nointel and the painter Edmond Delorme; on the other, Madame de Nointel, between M. de Lisieux and the Baron de Samoreau.