The French Immortals Series — Complete eBook

This eBook from the Gutenberg Project consists of approximately 5,292 pages of information about The French Immortals Series — Complete.

The French Immortals Series — Complete eBook

This eBook from the Gutenberg Project consists of approximately 5,292 pages of information about The French Immortals Series — Complete.

It seemed to me, however, at the end of a minute or so, that this young man was striving in a thousand ways to engage the attention of the little queen.

The latter, however, answered him in the most natural way in the world, neither betraying constraint nor embarrassment.  I was mistaken, no doubt.  Have you ever noticed, when you are suddenly brought into the midst of a circle where you are unacquainted, how certain little details, matters of indifference to every one else, assume importance in your eyes?  The first impression is based upon a number of trifles that catch your attention at the outset.  A stain in the ceiling, a nail in the wall, a feature of your neighbor’s countenance impresses itself upon your mind, installs itself there, assumes importance, and, in spite of yourself, all the other observations subsequently made by you group around this spot, this nail, this grimace.  Think over it, dear reader, and you will see that every opinion you may have as to a fact, a person, or an object has been sensibly influenced by the recollection of the little trifle that caught your eye at the first glance.  What young girl victim of first impressions has not refused one or two husbands on account of a waistcoat too loose, a cravat badly tied, an inopportune sneeze, a foolish smile, or a boot too pointed at the toe?

One does not like admitting to one’s self that such trifles can serve as a base to the opinion one has of any one, and one must seek attentively in order to discover within one’s mind these unacknowledged germs.

I recollect quite well that the first time I had the honor of calling on Madame de M., I noticed that one of her teeth, the first molar on the right, was quite black.  I only caught a glimpse of the little black monster, such was the care taken to hide it, yet I could not get this discovery out of my head.  I soon noticed that Madame de M. made frightful grimaces to hide her tooth, and that she took only the smallest possible mouthfuls at table to spare the nervous susceptibilities of the little monster.

I arrived at the pitch of accounting for all the mental and physical peculiarities of Madame de M. by the presence of this slight blemish, and despite myself this black tooth personified the Countess so well that even now, although it has been replaced by another magnificent one, twice as big and as white as the bottom of a plate, even now, I say, Madame de M. can not open her mouth without my looking naturally at it.

But to return to our subject.  Amid all this conjugal happiness, so delightfully surrounded, face to face with dear old Oscar, so good, so confiding, so much in love with this little cherub in a Louis XV dress, who carried grace and naivete to so strange a pitch, I had been struck by the too well combed and foppish head of the cousin in the white waistcoat.  This head had attracted my attention like the stain on the ceiling of which I spoke just now, like the Countess’s black tooth, and despite myself I did not take my eyes off the angler as he passed the silver blade of his knife through a slice of that indigestible fruit which I like to see on the plates of others, but can not tolerate on my own.

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Project Gutenberg
The French Immortals Series — Complete from Project Gutenberg. Public domain.