In every age we laugh at the costume of our fathers
In times like these we must see all and say all
It is not now what it used to be
It is too true that virtue also has its blush
Lofty ideal of woman and of love
Men are weak, and there are things which women must accomplish
Money is not a common thing between gentlemen like you and me
Monsieur, I know that I have lived too long
Neither idealist nor realist
Never interfered in what did not concern him
No writer had more dislike of mere pedantry
Offices will end by rendering great names vile
Princes ought never to be struck, except on the head
Princesses ceded like a town, and must not even weep
Principle that art implied selection
Recommended a scrupulous observance of nature
Remedy infallible against the plague and against reserve
Reproaches are useless and cruel if the evil is done
Should be punished for not having known how to punish
So strongly does force impose upon men
Tears for the future
The great leveller has swung a long scythe over France
The most in favor will be the soonest abandoned by him
The usual remarks prompted by imbecility on such occasions
These ideas may serve as opium to produce a calm
They tremble while they threaten
They have believed me incapable because I was kind
They loved not as you love, eh?
This popular favor is a cup one must drink
This was the Dauphin, afterward Louis XIV
True talent paints life rather than the living
Truth, I here venture to distinguish from that of the True
Urbain Grandier
What use is the memory of facts, if not to serve as an example
Woman is more bitter than death, and her arms are like chains
Yes, we are in the way here
THE ABBE CONSTANTIN
By Ludovic Halevy
With a Preface by E. Legouve, of the French Academy
LUDOVIC HALEVY
Ludovic Halevy was born in Paris, January 1, 1834. His father was Leon Halevy, the celebrated author; his grandfather, Fromenthal, the eminent composer. Ludovic was destined for the civil service, and, after finishing his studies, entered successively the Department of State (1852); the Algerian Department (1858), and later on became editorial secretary of the Corps Legislatif (1860). When his patron, the Duc de Morny, died in 1865, Halevy resigned, giving up a lucrative position for the uncertain profession of a playwright: At this period he devoted himself exclusively to the theatre.
He had already written plays as early as 1856, and had also tried his hand at fiction, but did not meet with very great success. Toward 1860, however, he became acquainted with Henri Meilhac, and with him formed a kind of literary union, lasting for almost twenty years, when Halevy rather abruptly abandoned the theatre and became a writer of fiction.