And why not? What better could he do?
And this was what Saniel said to himself while watching the flowing water. One plunge, and he would end the fierce battle in which he had so madly engaged for four years, and which would in the end drive him mad.
It was not the first time that this idea of ending everything had tempted him, and he only warded it off by constantly inventing combinations which it seemed to him at the moment might save him. Why yield to such a temptation before trying everything? And this was how he happened to appeal to Glady. But he knew him, and knew that his avarice, about which every one joked, had a certain reason for its existence. However, he said to himself that if the landed proprietor obstinately refused a friendly loan, which would only pay the debts of youth, the poet would willingly fill the role of Providence and save from shipwreck, without risking anything, a man with a future, who, later, would pay him back. It was with this hope that he risked a refusal. The landed proprietor replied; the poet was silent. And now there was nothing to expect from any one. Glady was his last resort.
In explaining his situation to Glady he lightened the misery instead of exaggerating it. For it was not only his upholsterer that he owed, but also his tailor, his bootmaker, his coal-dealer, his concierge, and all those with whom he had dealings. In reality, his creditors had not harassed him very much until lately, but this state of affairs would not last when they saw him prosecuted; they also would sue him, and how could he defend himself? How should he live? His only resource would be to return to the Hotel du Senat, where even they would not leave him in peace, or to his native town and become a country doctor. In either case it was renouncing all his ambitions. Would it not be better to die?
What good was life if his dreams were not realized—if he had nothing that he wanted?
Like many who frequently come in contact with death, life in itself was a small thing to him—his own life as well as that of others; with Hamlet he said: “To die, to sleep, no more,” but without adding: “To die, to sleep, perchance to dream,” feeling certain that the dead do not dream; and what is better than sleep to those who have had a hard life?
He was absorbed in thought when something came between him and the flaring gaslight, and threw a shadow over him that made him straighten himself up. What was it? Only a policeman, who came and leaned against the parapet near him.
He understood. His attitude was that of a man who contemplates throwing himself into the river, and the policeman had placed himself there in order to prevent it.
“Thanks!” he said to the astonished man.
He continued his way, walking quickly, but hearing distinctly the steps of the policeman following him, who evidently took him for a madman who must be watched.