Then, doubtless tired out by the fatigue of having spoken these words, he seemed to collapse and sink down into the litter, which was saturated now with his blood. A moment later he began to pant for breath. Amedee knelt by his side, and tears fell upon his hands, while between the dying man’s gasps he could hear in the distance, upon the battlefield, the uninterrupted rumbling of the cannon as it mowed down others.
CHAPTER XVII
“When youth, the dream, departs”
The leaves are falling!
This October afternoon is deliciously serene, there is not a cloud in the grayish-blue sky, where the sun, which has shed a pure and steady light since morning, has begun majestically to decline, like a good king who has grown old after a long and prosperous reign. How soft the air is! How calm and fresh! This is certainly one of the most beautiful of autumn days. Below, in the valley, the river sparkles like liquid silver, and the trees which crown the hill-tops are of a lurid gold and copper color. The distant panorama of Paris is grand and charming, with all its noted edifices and the dome of the Invalides shining like gold outlined upon the horizon. As a loving and coquettish woman, who wishes to be regretted, gives at the moment of departure her most intoxicating smile to a friend, so the close of autumn had put on for one of her last days all her splendid charms.
But the leaves are falling!
Amedee Violette is walking alone in his garden at Meudon. It is his country home, where he has lived for eight years. A short time after the close of the war he married Maurice’s widow. He is walking upon the terrace planted with lindens that are now more than half-despoiled of their leaves, admiring the beautiful picture and thinking.
He is celebrated, he has worked hard and has built up a reputation by good, sincere books, as a poet. Doubtless, some persons are still jealous of him, and he is often treated with injustice, but he is estimated by the dignity of his life, which his love of art fills entirely, and he occupies a superior position in literature. Although his resources are modest, they are sufficient to exempt him from anxieties of a trivial nature. Living far from society, in the close intimacy of those that he loves, he does not know the miseries of ambition and vanity. Amedee Violette should be happy.
His old friend, Paul Sillery, who breakfasted with him that morning in Meudon, is condemned to daily labor and the exhausting life of a journalist; and when he was seated in the carriage which took him back to Paris that morning, to forced labor, to the article to be knocked off for tomorrow, in the midst of the racket and chattering of an editor’s office, beside an interrupted cigar laid upon the edge of a table, he heaved a deep sigh as he thought of Amedee.