As I shall have no more occasion to speak of poor Father Cato, I will here conclude in a few words his melancholy history.  His brother monks, jealous, or rather exasperated to discover in him a merit and elegance of manners which favored nothing of monastic stupidity, conceived the most violent hatred to him, because he was not as despicable as themselves; the chiefs, therefore, combined against this worthy man, and set on the envious rabble of monks, who otherwise would not have dared to hazard the attack.  He received a thousand indignities; they degraded him from his office, took away the apartment which he had furnished with elegant simplicity, and, at length, banished him, I know not whither:  in short, these wretches overwhelmed him with so many evils, that his honest and proud soul sank under the pressure, and, after having been the delight of the most amiable societies, he died of grief, on a wretched bed, hid in some cell or dungeon, lamented by all worthy people of his acquaintance, who could find no fault in him, except his being a monk.

Accustomed to this manner of life for some time, I became so entirely attached to music that I could think of nothing else.  I went to my business with disgust, the necessary confinement and assiduity appeared an insupportable punishment, which I at length wished to relinquish, that I might give myself up without reserve to my favorite amusement.  It will be readily believed that this folly met with some opposition; to give up a creditable employment and fixed salary to run after uncertain scholars was too giddy a plan to be approved of by Madam de Warrens, and even supposing my future success should prove as great as I flattered myself, it was fixing very humble limits to my ambition to think of reducing myself for life to the condition of a music-master.  She, who formed for me the brightest projects, and no longer trusted implicitly to the judgment of M. d’Aubonne, seeing with concern that I was so seriously occupied with a talent which she thought frivolous, frequently repeated to me that provincial proverb, which does not hold quite so good in Paris,

              “Qui biens chante et biens dance,
               fait un metier qui peu avance.”

[He who can sweetly sing and featly dance. 
His interests right little shall advance.]

On the other hand, she saw me hurried away by this irresistible passion, my taste for music having become a furor, and it was much to be feared that my employment, suffering by my distraction, might draw on me a discharge, which would be worse than a voluntary resignation.  I represented to her; that this employment could not last long, that it was necessary I should have some permanent means of subsistence, and that it would be much better to complete by practice the acquisition of that art to which my inclination led me than to make fresh essays, which possibly might not succeed, since by this means, having passed the age most proper