Being the Historic Memoirs of the Court of Louis XIV.

LIST OF ILLUSTRATIONS

Madame de Montespan——­Etching by Mercier

Hortense Mancini——­Drawing in the Louvre

Madame de la Valliere——­Painting by Francois

Moliere——­Original Etching by Lalauze

Boileau——­Etching by Lalauze

A French Courtier——­Photogravure from a Painting

Madame de Maintenon——­Etching by Mercier from Painting by Hule

Charles II.——­Original Etching by Ben Damman

Bosseut——­Etching by Lalauze

Louis XIV.  Knighting a Subject——­Photogravure from a Rare Print

A French Actress——­Painting by Leon Comerre

Racine——­Etching by Lalauze

BOOK 1.

TRANSLATOR’S PREFACE.

Historians have, on the whole, dealt somewhat harshly with the fascinating Madame de Montespan, perhaps taking their impressions from the judgments, often narrow and malicious, of her contemporaries.  To help us to get a fairer estimate, her own “Memoirs,” written by herself, and now first given to readers in an English dress, should surely serve.  Avowedly compiled in a vague, desultory way, with no particular regard to chronological sequence, these random recollections should interest us, in the first place, as a piece of unconscious self-portraiture.  The cynical Court lady, whose beauty bewitched a great King, and whose ruthless sarcasm made Duchesses quail, is here drawn for us in vivid fashion by her own hand, and while concerned with depicting other figures she really portrays her own.  Certainly, in these Memoirs she is generally content to keep herself in the background, while giving us a faithful picture of the brilliant Court at which she was for long the most lustrous ornament.  It is only by stray touches, a casual remark, a chance phrase, that we, as it were, gauge her temperament in all its wiliness, its egoism, its love of supremacy, and its shallow worldly wisdom.  Yet it could have been no ordinary woman that held the handsome Louis so long her captive.  The fair Marquise was more than a mere leader of wit and fashion.  If she set the mode in the shape of a petticoat, or devised the sumptuous splendours of a garden fete, her talent was not merely devoted to things frivolous and trivial.  She had the proverbial ‘esprit des Mortemart’.  Armed with beauty and sarcasm, she won a leading place for herself at Court, and held it in the teeth of all detractors.

Her beauty was for the King, her sarcasm for his courtiers.  Perhaps little of this latter quality appears in the pages bequeathed to us, written, as they are, in a somewhat cold, formal style, and we may assume that her much-dreaded irony resided in her tongue rather than in her pen.  Yet we are glad to possess these pages, if only as a reliable record of Court life during the brightest period of the reign of Louis Quatorze.