He jumped out of bed and went to a table near the window. There was paper and a pencil lying on it. A street lamp exactly opposite threw into the room quite light enough for him to see by. He half knelt by the table and began to draw. He worked for about twenty minutes steadily, and he tore up two or three unsatisfactory sketches. The poor drawing would not matter if he could catch that subtle look which was not slyness but something more dignified and important. It was not difficult to get the marked, aristocratic outline of the features. A common-looking man with less pronounced profile would have been less easy to draw in one sense. He gave his mind wholly to the recalling of every detail which had photographed itself on his memory through its trained habit. Gradually he saw that the likeness was becoming clearer. It was not long before it was clear enough to be a striking one. Any one who knew the man would recognize it. He got up, drawing a long and joyful breath.
He did not put on his shoes, but crossed his room as noiselessly as possible, and as noiselessly opened the door. He made no ghost of a sound when he went down the stairs. The woman who kept the lodging-house had gone to bed, and so had the other lodgers and the maid of all work. All the lights were out except the one he saw a glimmer of under the door of his father’s room. When he had been a mere baby, he had been taught to make a special sign on the door when he wished to speak to Loristan. He stood still outside the back sitting-room and made it now. It was a low scratching sound—two scratches and a soft tap. Lazarus opened the door and looked troubled.
“It is not yet time, sir,” he said very low.
“I know,” Marco answered. “But I must show something to my father.” Lazarus let him in, and Loristan turned round from his writing-table questioningly.