line of red carpet was laid from the throne-room,
through the Marble Hall and the White Hall beyond
it, right down the great flight of exterior steps,
at the foot of which a white Guard of Honour of one
hundred men from a British regiment was drawn up,
Aligned through the outer hall, the Marble Hall and
the throne-room were one hundred men of the Viceroy’s
Bodyguard, splendid fellows chosen for their height
and appearance, and all from Northern India.
They wore the white leather breeches and jack-boots
of our own Life Guards, with scarlet tunics and huge
turbans of blue and gold, standing with their lances
as motionless as so many bronze statues. For a
Durbar, many precious things were unearthed from the
“Tosha-Khana,” or Treasury: the
Viceroy’s silver-gilt throne; an arm-chair
of solid silver for the visiting Rajah; great silver-gilt
maces bearing & crown and “V.R.I.”; and,
above all, the beautiful Durbar carpets of woven gold
wire. The making of these carpets is, I believe,
an hereditary trade in a Benares family; they are woven
of real gold wire, heavily embroidered in gold afterwards,
and are immensely expensive. The visiting Rajah
announces beforehand the number of the suite he is
bringing with him, and the Viceroy has a precisely
similar number, so two corresponding rows of cane arm-chairs
are placed opposite each other, at right angles to
the throne. Behind the chairs twelve resplendent
red-and-gold-coated servants with blue-and-silver
turbans, hold the gilt maces aloft, whilst behind
the throne eight more gorgeously apparelled natives
hold two long-handled fans of peacock’s feathers,
two silver-mounted yak’s tails, and two massive
sheaves of peacock’s feathers, all these being
the Eastern emblems of sovereignty.
We will suppose this particular Rajah to be a “nine-gun”
and a “three-step” man. Bang go the
cannon from Fort William nine times, and the Viceroy,
in full uniform with decorations, duly advances three
steps on the gold carpet to greet his visitor.
The Viceroy seats himself on his silver-gilt throne
at the top of the three steps, the visiting Rajah
in his silver chair being one step lower. The
two suites seat themselves facing each other in dead
silence; the Europeans assuming an absolutely Oriental
impassivity of countenance. The ill-conditioned
Rajah, though he spoke English perfectly, had insisted
on bringing his own interpreter with him. A long
pause in conformity with Oriental etiquette follows,
then the Viceroy puts the first invariable question:
“I trust that your Highness is in the enjoyment
of good health?” which is duly repeated in Urdu
by the official white interpreter. The sulky
Rajah grunts something that sounds like “Bhirrr
Whirrr,” which the native interpreter renders,
in clipped staccato English, as “His Highness
declares that by your Excellency’s favour his
health is excellent. Lately, owing to attack
of fever, it was with His Highness what Immortal Bard
has termed a case of ’to be or not to be!’