years in a French-Canadian convent, still retained
the strong Cockney accent of her native London.
She was a cheery old soul, and, with another old English
nun, had charge of the wardrobe, which they insisted
on showing me. I was gazing at piles of clothing
neatly arranged on shelves, when the old Cockney nun
clapped her hands. “We will dress you up
as a Sister,” she cried, and they promptly proceeded
to do so. They put me on a habit (largest size)
over my other clothes, chuckling with glee meanwhile,
and I was duly draped in the guimpe, the piece of
linen which covers a nun’s head and shoulders
and frames her face, called, I believe, in English
a “wimple,” and my toilet was complete
except for my veil, when, by a piece of real bad luck,
the Reverend Mother and my sister came into the room.
We had no time to hide, so we were caught. Having
no moustache, I flattered myself that I made rather
a saintly-looking novice, and I hid my hands in the
orthodox way in my sleeves, but the Mother Superior
was evidently very much put out. The clothes that
had come in contact with my heretical person were
ordered to be placed on one side, I presume to be
morally disinfected, and I can only trust that the
two old nuns did not get into serious trouble over
their little joke. I am sorry that my toilet
was not completed; I should like to have felt that
just for once in my life I had taken the veil, if
for five minutes only.
In the “eighties” the city of Montreal
spent large sums over their Winter Carnival.
It attracted crowds of strangers, principally from
the United States, and it certainly stimulated the
retail trade of the city. The Governor-General
was in the habit of taking a house in Montreal for
the Carnival, and my brother-in-law was lent the home
of a hospitable sugar magnate. The dining-room
of this house, in which its owner had allowed full
play to his Oriental imagination and love of colour,
was so singular that it merits a few words of description.
The room was square, with a domed ceiling. It
was panelled in polished satinwood to a height of
about five feet. Above the panelling were placed
twelve owls in carved and silvered wood, each one
about two feet high, supporting gas-standards.
Rose-coloured silk was stretched from the panelling
up to the heavy frieze, consisting of “swags”
of fruit and foliage modelled in high relief, and
brilliantly coloured in their natural hues. The
domed ceiling was painted sky-blue, covered with golden
stars, gold and silver suns and moons, and the signs
of the Zodiac. I may add that the effect of this
curious apartment was not such as to warrant any one
trying to reproduce it. The house also contained
a white marble swimming bath; an unnecessary adjunct,
I should have thought, to a dwelling built for winter
occupation in Montreal.