base set on broad rollers, so that the board could
be run across a bed or a lounge with the greatest
ease. There was but one chair made like ordinary
chairs; the rest were so constructed that the least
motion of the occupant must be accompanied by a corresponding
change of position of the back and arms, and some
of them bore a curious resemblance to a surgeon’s
operating table, having attachments of silver-plated
metal at many points, of which the object was not
immediately evident. Before a closed door a sort
of wheeled conveyance, partaking of the nature of
a chair and of a perambulator, stood upon polished
rails, which disappeared under the door itself, showing
that the thing was intended to be moved from one room
to another in a certain way and in a fixed line.
The rails, had the door been opened, would have been
seen to descend upon the other side by a gentle inclined
plane into the centre of a huge marble basin, and
the contrivance thus made it possible to wheel a person
into a bath and out again without necessitating the
slightest effort or change of position in the body.
In the bedroom the windows were arranged so that the
light and air could be regulated to a nicety.
The walls were covered with fine basket work, apparently
adapted in panels; but these panels were in reality
movable trays, as it were, forming shallow boxes fitted
with closely-woven wicker covers, and filled with
charcoal and other porous substances intended to absorb
the impurities of the air, and thus easily changed
and renewed from time to time. Immediately beneath
the ceiling were placed delicate glass globes of various
soft colours, with silken shades, movable from below
by means of brass rods and handles. In the ceiling
itself there were large ventilators, easily regulated
as might be required, and there was a curious arrangement
of rails and wheels from which depended a sort of
swing, apparently adapted for moving a person or a
weight to different parts of the room without touching
the floor. In one of the lounges, not far from
the window, lay a colossal old man, wrapped in a loose
robe of warm white stuff, and fast asleep.
He was a very old man, so old, indeed, as to make
it hard to guess his age from his face and his hands,
the only parts visible as he lay at rest, the vast
body and limbs lying motionless under his garment,
as beneath a heavy white pall. He could not be
less than a hundred years old, but how much older
than that he might really be, it was impossible to
say. What might be called the waxen period had
set in, and the high colourless features seemed to
be modelled in that soft, semi-transparent material.
The time had come when the stern furrows of age had
broken up into countless minutely-traced lines, so
close and fine as to seem a part of the texture of
the skin, mere shadings, evenly distributed throughout,
and no longer affecting the expression of the face
as the deep wrinkles had done in former days; at threescore
and ten, at fourscore, and even at ninety years.