Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.
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Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.

Well, whatever lesser helps there may be to our endeavour of giving people back the eyes we have robbed them of, we may pass them by at present, for they are chiefly of use to people who are beginning to get their eyesight again; to people who, though they have no traditions of art, can study those mighty impulses that once led nations and races:  it is to such that museums and art education are of service; but it is clear they cannot get at the great mass of people, who will at present stare at them in unintelligent wonder.

Until our streets are decent and orderly, and our town gardens break the bricks and mortar every here and there, and are open to all people; until our meadows even near our towns become fair and sweet, and are unspoiled by patches of hideousness:  until we have clear sky above our heads and green grass beneath our feet; until the great drama of the seasons can touch our workmen with other feelings than the misery of winter and the weariness of summer; till all this happens our museums and art schools will be but amusements of the rich; and they will soon cease to be of any use to them also, unless they make up their minds that they will do their best to give us back the fairness of the Earth.

In what I have been saying on this last point I have been thinking of our own special duties as cultivated people; but in our endeavours towards this end, as in all others, cultivated people cannot stand alone; nor can we do much to open people’s eyes till they cry out to us to have them opened.  Now I cannot doubt that the longing to attack and overcome the sordidness of the city life of to-day still dwells in the minds of workmen, as well as in ours, but it can scarcely be otherwise than vague and lacking guidance with men who have so little leisure, and are so hemmed in with hideousness as they are.  So this brings us to our second question.  How shall people in general get leisure enough from toil, and truce enough with anxiety to give scope to their inborn longing for beauty?

Now the part of this question that is not involved in the next one, How shall they get proper work to do? is I think in a fair way to be answered.

The mighty change which the success of competitive commerce has wrought in the world, whatever it may have destroyed, has at least unwittingly made one thing,—­from out of it has been born the increasing power of the working-class.  The determination which this power has bred in it to raise their class as a class will I doubt not make way and prosper with our goodwill, or even in spite of it; but it seems to me that both to the working-class and especially to ourselves it is important that it should have our abundant goodwill, and also what help we may be able otherwise to give it, by our determination to deal fairly with workmen, even when that justice may seem to involve our own loss.  The time of unreasonable and blind outcry against the Trades Unions is, I am

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Hopes and Fears for Art from Project Gutenberg. Public domain.