Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.
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Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.

How shall we give them this soul of art without which men are worse than savages?  If they would but drive us to it!  But what and where are the forces that shall drive them to drive us?  Where is the lever and the standpoint?

Hard questions indeed! but unless we are prepared to seek an answer for them, our art is a mere toy, which may amuse us for a little, but which will not sustain us at our need:  the cultivated classes, as they are called, will feel it slipping away from under them:  till some of them will but mock it as a worthless thing; and some will stand by and look at it as a curious exercise of the intellect, useless when done, though amusing to watch a-doing.  How long will art live on those terms?  Yet such were even now the state of art were it not for that hope which I am here to set forth to you, the hope of an art that shall express the soul of the people.

Therefore, I say, that in these days we men of civilisation have to choose if we will cast art aside or not; if we choose to do so I have no more to say, save that we may find something to take its place for the solace and joy of mankind, but I scarce think we shall:  but if we refuse to cast art aside, then must we seek an answer for those hard questions aforesaid, of which this is the first.

How shall we set about giving people without traditions of art eyes with which to see works of art?  It will doubtless take many years of striving and success, before we can think of answering that question fully:  and if we strive to do our duty herein, long before it is answered fully there will be some kind of a popular art abiding among us:  but meantime, and setting aside the answer which every artist must make to his own share of the question, there is one duty obvious to us all; it is that we should set ourselves, each one of us, to doing our best to guard the natural beauty of the earth:  we ought to look upon it as a crime, an injury to our fellows, only excusable because of ignorance, to mar the natural beauty, which is the property of all men; and scarce less than a crime to look on and do nothing while others are marring it, if we can no longer plead this ignorance.

Now this duty, as it is the most obvious to us, and the first and readiest way of giving people back their eyes, so happily it is the easiest to set about; up to a certain point you will have all people of good will to the public good on your side:  nay, small as the beginning is, something has actually been begun in this direction, and we may well say, considering how hopeless things looked twenty years ago, that it is marvellous in our eyes!  Yet if we ever get out of the troubles that we are now wallowing in, it will seem perhaps more marvellous still to those that come after us that the dwellers in the richest city in the world were at one time rather proud that the members of a small, humble, and rather obscure, though I will say it, a beneficent society, should have felt it their duty to shut their eyes to the apparent hopelessness of attacking with their feeble means the stupendous evils they had become alive to, so that they might be able to make some small beginnings towards awakening the general public to a due sense of those evils.

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Hopes and Fears for Art from Project Gutenberg. Public domain.