Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.
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Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.

Yes indeed, if we had lived in Venice in early days, as islet after islet was built upon, we should have grudged it but little, I think, though we had been merchants and rich men, that the Greek shafted work, and the carving of the Lombards was drawn nearer and nearer to us and blocked us out a little from the sight of the blue Euganean hills or the Northern mountains.  Nay, to come nearer home, much as I know I should have loved the willowy meadows between the network of the streams of Thames and Cherwell; yet I should not have been ill content as Oxford crept northward from its early home of Oseney, and Rewley, and the Castle, as townsman’s house, and scholar’s hall, and the great College and the noble church hid year by year more and more of the grass and flowers of Oxfordshire. {12}

That was the natural course of things then; men could do no otherwise when they built than give some gift of beauty to the world:  but all is turned inside out now, and when men build they cannot but take away some gift of beauty, which nature or their own forefathers have given to the world.

Wonderful it is indeed, and perplexing, that the course of civilisation towards perfection should have brought this about:  so perplexing, that to some it seems as if civilisation were eating her own children, and the arts first of all.

I will not say that; time is big with so many a change; surely there must be some remedy, and whether there be or no, at least it is better to die seeking one, than to leave it alone and do nothing.

I have said, are you satisfied? and assumed that you are not, though to many you may seem to be at least helpless:  yet indeed it is something or even a great deal that I can reasonably assume that you are discontented:  fifty years ago, thirty years ago, nay perhaps twenty years ago, it would have been useless to have asked such a question, it could only have been answered in one way:  We are perfectly satisfied:  whereas now we may at least hope that discontent will grow till some remedy will be sought for.

And if sought for, should it not, in England at least, be as good as found already, and acted upon?  At first sight it seems so truly; for I may say without fear of contradiction that we of the English middle classes are the most powerful body of men that the world has yet seen, and that anything we have set our heart upon we will have:  and yet when we come to look the matter in the face, we cannot fail to see that even for us with all our strength it will be a hard matter to bring about that birth of the new art:  for between us and that which is to be, if art is not to perish utterly, there is something alive and devouring; something as it were a river of fire that will put all that tries to swim across to a hard proof indeed, and scare from the plunge every soul that is not made fearless by desire of truth and insight of the happy days to come beyond.

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Hopes and Fears for Art from Project Gutenberg. Public domain.