Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.
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Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.

Who built it then?  No strange race of men, but just the mason of Broadway village:  even such a man as is now running up down yonder three or four cottages of the wretched type we know too well:  nor did he get an architect from London, or even Worcester, to design it:  I believe ’tis but two hundred years old, and at that time, though beauty still lingered among the peasants’ houses, your learned architects were building houses for the high gentry that were ugly enough, though solid and well built; nor are its materials far-fetched; from the neighbouring field came its walling stones; and at the top of the hill they are quarrying now as good freestone as ever.

No, there was no effort or wonder about it when it was built, though its beauty makes it strange now.

And are you contented that we should lose all this; this simple, harmless beauty that was no hindrance or trouble to any man, and that added to the natural beauty of the earth instead of marring it?

You cannot be contented with it; all you can do is to try to forget it, and to say that such things are the necessary and inevitable consequences of civilisation.  Is it so indeed?  The loss of suchlike beauty is an undoubted evil:  but civilisation cannot mean at heart to produce evils for mankind:  such losses therefore must be accidents of civilisation, produced by its carelessness, not its malice; and we, if we be men and not machines, must try to amend them:  or civilisation itself will be undone.

But, now let us leave the sunny slopes of the Cotswolds, and their little grey houses, lest we fall a-dreaming over past time, and let us think about the suburbs of London, neither dull nor unpleasant once, where surely we ought to have some power to do something:  let me remind you how it fares with the beauty of the earth when some big house near our dwelling-place, which has passed through many vicissitudes of rich merchant’s dwelling, school, hospital, or what not, is at last to be turned into ready money, and is sold to A, who lets it to B, who is going to build houses on it which he will sell to C, who will let them to D, and the other letters of the alphabet:  well, the old house comes down; that was to be looked for, and perhaps you don’t much mind it; it was never a work of art, was stupid and unimaginative enough, though creditably built, and without pretence; but even while it is being pulled down, you hear the axe falling on the trees of its generous garden, which it was such a pleasure even to pass by, and where man and nature together have worked so long and patiently for the blessing of the neighbours:  so you see the boys dragging about the streets great boughs of the flowering may-trees covered with blossom, and you know what is going to happen.  Next morning when you get up you look towards that great plane-tree which has been such a friend to you so long through sun and rain and wind, which was a world in itself of incident and beauty:  but now there is a gap

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Hopes and Fears for Art from Project Gutenberg. Public domain.