Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.
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Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.
these sham roses are driving the real ones out of existence.  If we do not look to it our descendants will know nothing of the cabbage rose, the loveliest in form of all, or the blush rose with its dark green stems and unequalled colour, or the yellow-centred rose of the East, which carries the richness of scent to the very furthest point it can go without losing freshness:  they will know nothing of all these, and I fear they will reproach the poets of past time for having done according to their wont, and exaggerated grossly the beauties of the rose.

Well, as a Londoner perhaps I have said too much of roses, since we can scarcely grow them among suburban smoke, but what I have said of them applies to other flowers, of which I will say this much more.  Be very shy of double flowers; choose the old columbine where the clustering doves are unmistakable and distinct, not the double one, where they run into mere tatters.  Choose (if you can get it) the old china-aster with the yellow centre, that goes so well with the purple-brown stems and curiously coloured florets, instead of the lumps that look like cut paper, of which we are now so proud.  Don’t be swindled out of that wonder of beauty, a single snowdrop; there is no gain and plenty of loss in the double one.  More loss still in the double sunflower, which is a coarse-coloured and dull plant, whereas the single one, though a late comer to our gardens, is by no means to be despised, since it will grow anywhere, and is both interesting and beautiful, with its sharply chiselled yellow florets relieved by the quaintly patterned sad-coloured centre clogged with honey and beset with bees and butterflies.

So much for over-artificiality in flowers.  A word or two about the misplacing of them.  Don’t have ferns in your garden.  The hart’s tongue in the clefts of the rock, the queer things that grow within reach of the spray of the waterfall; these are right in their places.  Still more the brake on the woodside, whether in late autumn, when its withered haulm helps out the well-remembered woodland scent, or in spring, when it is thrusting its volutes through last year’s waste.  But all this is nothing to a garden, and is not to be got out of it; and if you try it you will take away from it all possible romance, the romance of a garden.

The same thing may be said about many plants, which are curiosities only, which Nature meant to be grotesque, not beautiful, and which are generally the growth of hot countries, where things sprout over quick and rank.  Take note that the strangest of these come from the jungle and the tropical waste, from places where man is not at home, but is an intruder, an enemy.  Go to a botanical garden and look at them, and think of those strange places to your heart’s content.  But don’t set them to starve in your smoke-drenched scrap of ground amongst the bricks, for they will be no ornament to it.

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Hopes and Fears for Art from Project Gutenberg. Public domain.