Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.
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Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.

And if we apply that rule strictly, we shall in the first place show the builders and such-like servants of the public what we really want, we shall create a demand for real art, as the phrase goes; and in the second place, we shall surely have more money to pay for decent houses.

Perhaps it will not try your patience too much if I lay before you my idea of the fittings necessary to the sitting-room of a healthy person:  a room, I mean, in which he would not have to cook in much, or sleep in generally, or in which he would not have to do any very litter-making manual work.

First a book-case with a great many books in it:  next a table that will keep steady when you write or work at it:  then several chairs that you can move, and a bench that you can sit or lie upon:  next a cupboard with drawers:  next, unless either the book-case or the cupboard be very beautiful with painting or carving, you will want pictures or engravings, such as you can afford, only not stop-gaps, but real works of art on the wall; or else the wall itself must be ornamented with some beautiful and restful pattern:  we shall also want a vase or two to put flowers in, which latter you must have sometimes, especially if you live in a town.  Then there will be the fireplace of course, which in our climate is bound to be the chief object in the room.

That is all we shall want, especially if the floor be good; if it be not, as, by the way, in a modern house it is pretty certain not to be, I admit that a small carpet which can be bundled out of the room in two minutes will be useful, and we must also take care that it is beautiful, or it will annoy us terribly.

Now unless we are musical, and need a piano (in which case, as far as beauty is concerned, we are in a bad way), that is quite all we want:  and we can add very little to these necessaries without troubling ourselves, and hindering our work, our thought, and our rest.

If these things were done at the least cost for which they could be done well and solidly, they ought not to cost much; and they are so few, that those that could afford to have them at all, could afford to spend some trouble to get them fitting and beautiful:  and all those who care about art ought to take great trouble to do so, and to take care that there be no sham art amongst them, nothing that it has degraded a man to make or sell.  And I feel sure, that if all who care about art were to take this pains, it would make a great impression upon the public.

This simplicity you may make as costly as you please or can, on the other hand:  you may hang your walls with tapestry instead of whitewash or paper; or you may cover them with mosaic, or have them frescoed by a great painter:  all this is not luxury, if it be done for beauty’s sake, and not for show:  it does not break our golden rule:  Have nothing in your houses which you do not know to be useful or believe to be beautiful.

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Hopes and Fears for Art from Project Gutenberg. Public domain.