Now I cannot pretend to think that the first of these duties is a matter of indifference to you, after my experience of the enthusiastic meeting that I had the honour of addressing here last autumn on the subject of the (so called) restoration of St. Mark’s at Venice; you thought, and most justly thought, it seems to me, that the subject was of such moment to art in general, that it was a simple and obvious thing for men who were anxious on the matter to address themselves to those who had the decision of it in their hands; even though the former were called Englishmen, and the latter Italians; for you felt that the name of lovers of art would cover those differences:  if you had any misgivings, you remembered that there was but one such building in the world, and that it was worth while risking a breach of etiquette, if any words of ours could do anything towards saving it; well, the Italians were, some of them, very naturally, though surely unreasonably, irritated, for a time, and in some of their prints they bade us look at home; that was no argument in favour of the wisdom of wantonly rebuilding St. Mark’s facade:  but certainly those of us who have not yet looked at home in this matter had better do so speedily, late and over late though it be:  for though we have no golden-pictured interiors like St. Mark’s Church at home, we still have many buildings which are both works of ancient art and monuments of history:  and just think what is happening to them, and note, since we profess to recognise their value, how helpless art is in the Century of Commerce!

In the first place, many and many a beautiful and ancient building is being destroyed all over civilised Europe as well as in England, because it is supposed to interfere with the convenience of the citizens, while a little forethought might save it without trenching on that convenience; {6} but even apart from that, I say that if we are not prepared to put up with a little inconvenience in our lifetimes for the sake of preserving a monument of art which will elevate and educate, not only ourselves, but our sons, and our sons’ sons, it is vain and idle of us to talk about art—­or education either.  Brutality must be bred of such brutality.

The same thing may be said about enlarging, or otherwise altering for convenience’ sake, old buildings still in use for something like their original purposes:  in almost all such cases it is really nothing more than a question of a little money for a new site:  and then a new building can be built exactly fitted for the uses it is needed for, with such art about it as our own days can furnish; while the old monument is left to tell its tale of change and progress, to hold out example and warning to us in the practice of the arts:  and thus the convenience of the public, the progress of modern art, and the cause of education, are all furthered at once at the cost of a little money.

Surely if it be worth while troubling ourselves about the works of art of to-day, of which any amount almost can be done, since we are yet alive, it is worth while spending a little care, forethought, and money in preserving the art of bygone ages, of which (woe worth the while!) so little is left, and of which we can never have any more, whatever good-hap the world may attain to.