Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.
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Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.

You, of this great and famous town, for instance, which has had so much to do with the Century of Commerce, your gains are obvious to all men, but the price you have paid for them is obvious to many—­ surely to yourselves most of all:  I do not say that they are not worth the price; I know that England and the world could very ill afford to exchange the Birmingham of to-day for the Birmingham of the year 1700:  but surely if what you have gained be more than a mockery, you cannot stop at those gains, or even go on always piling up similar ones.  Nothing can make me believe that the present condition of your Black Country yonder is an unchangeable necessity of your life and position:  such miseries as this were begun and carried on in pure thoughtlessness, and a hundredth part of the energy that was spent in creating them would get rid of them:  I do think if we were not all of us too prone to acquiesce in the base byword ‘after me the deluge,’ it would soon be something more than an idle dream to hope that your pleasant midland hills and fields might begin to become pleasant again in some way or other, even without depopulating them; or that those once lovely valleys of Yorkshire in the ‘heavy woollen district,’ with their sweeping hill-sides and noble rivers, should not need the stroke of ruin to make them once more delightful abodes of men, instead of the dog-holes that the Century of Commerce has made them.

Well, people will not take the trouble or spend the money necessary to beginning this sort of reforms, because they do not feel the evils they live amongst, because they have degraded themselves into something less than men; they are unmanly because they have ceased to have their due share of art.

For again I say that therein rich people have defrauded themselves as well as the poor:  you will see a refined and highly educated man nowadays, who has been to Italy and Egypt, and where not, who can talk learnedly enough (and fantastically enough sometimes) about art, and who has at his fingers’ ends abundant lore concerning the art and literature of past days, sitting down without signs of discomfort in a house, that with all its surroundings is just brutally vulgar and hideous:  all his education has not done more for him than that.

The truth is, that in art, and in other things besides, the laboured education of a few will not raise even those few above the reach of the evils that beset the ignorance of the great mass of the population:  the brutality of which such a huge stock has been accumulated lower down, will often show without much peeling through the selfish refinement of those who have let it accumulate.  The lack of art, or rather the murder of art, that curses our streets from the sordidness of the surroundings of the lower classes, has its exact counterpart in the dulness and vulgarity of those of the middle classes, and the double-distilled dulness, and scarcely less vulgarity of those of the upper classes.

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Hopes and Fears for Art from Project Gutenberg. Public domain.