Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.
Related Topics

Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.

But note how the practice of either of these virtues will make the other easier to us.  For if our wants are few, we shall have but little chance of being driven by our wants into injustice; and if we are fixed in the principle of giving every man his due, how can our self-respect bear that we should give too much to ourselves?

And in art, and in that preparation for it without which no art that is stable or worthy can be, the raising, namely, of those classes which have heretofore been degraded, the practice of these virtues would make a new world of it.  For if you are rich, your simplicity of life will both go towards smoothing over the dreadful contrast between waste and want, which is the great horror of civilised countries, and will also give an example and standard of dignified life to those classes which you desire to raise, who, as it is indeed, being like enough to rich people, are given both to envy and to imitate the idleness and waste that the possession of much money produces.

Nay, and apart from the morality of the matter, which I am forced to speak to you of; let me tell you that though simplicity in art may be costly as well as uncostly, at least it is not wasteful, and nothing is more destructive to art than the want of it.  I have never been in any rich man’s house which would not have looked the better for having a bonfire made outside of it of nine-tenths of all that it held.  Indeed, our sacrifice on the side of luxury will, it seems to me, be little or nothing:  for, as far as I can make out, what people usually mean by it, is either a gathering of possessions which are sheer vexations to the owner, or a chain of pompous circumstance, which checks and annoys the rich man at every step.  Yes, luxury cannot exist without slavery of some kind or other, and its abolition will be blessed, like the abolition of other slaveries, by the freeing both of the slaves and of their masters.

Lastly, if, besides attaining to simplicity of life, we attain also to the love of justice, then will all things be ready for the new springtime of the arts.  For those of us that are employers of labour, how can we bear to give any man less money than he can decently live on, less leisure than his education and self-respect demand? or those of us who are workmen, how can we bear to fail in the contract we have undertaken, or to make it necessary for a foreman to go up and down spying out our mean tricks and evasions? or we the shopkeepers—­can we endure to lie about our wares, that we may shuffle off our losses on to some one else’s shoulders? or we the public—­how can we bear to pay a price for a piece of goods which will help to trouble one man, to ruin another, and starve a third?  Or, still more, I think, how can we bear to use, how can we enjoy something which has been a pain and a grief for the maker to make?

And now, I think, I have said what I came to say.  I confess that there is nothing new in it, but you know the experience of the world is that a thing must be said over and over again before any great number of men can be got to listen to it.  Let my words to-night, therefore, pass for one of the necessary times that the thought in them must be spoken out.

Copyrights
Project Gutenberg
Hopes and Fears for Art from Project Gutenberg. Public domain.