Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.
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Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.

Thus I have told you something of what I think is to be hoped and feared for the future of art; and if you ask me what I expect as a practical outcome of the admission of these opinions, I must say at once that I know, even if we were all of one mind, and that what I think the right mind on this subject, we should still have much work and many hindrances before us; we should still have need of all the prudence, foresight, and industry of the best among us; and, even so, our path would sometimes seem blind enough.  And, to-day, when the opinions which we think right, and which one day will be generally thought so, have to struggle sorely to make themselves noticed at all, it is early days for us to try to see our exact and clearly mapped road.  I suppose you will think it too commonplace of me to say that the general education that makes men think, will one day make them think rightly upon art.  Commonplace as it is, I really believe it, and am indeed encouraged by it, when I remember how obviously this age is one of transition from the old to the new, and what a strange confusion, from out of which we shall one day come, our ignorance and half-ignorance is like to make of the exhausted rubbish of the old and the crude rubbish of the new, both of which lie so ready to our hands.

But, if I must say, furthermore, any words that seem like words of practical advice, I think my task is hard, and I fear I shall offend some of you whatever I say; for this is indeed an affair of morality, rather than of what people call art.

However, I cannot forget that, in my mind, it is not possible to dissociate art from morality, politics, and religion.  Truth in these great matters of principle is of one, and it is only in formal treatises that it can be split up diversely.  I must also ask you to remember how I have already said, that though my mouth alone speaks, it speaks, however feebly and disjointedly, the thoughts of many men better than myself.  And further, though when things are tending to the best, we shall still, as aforesaid, need our best men to lead us quite right; yet even now surely, when it is far from that, the least of us can do some yeoman’s service to the cause, and live and die not without honour.

So I will say that I believe there are two virtues much needed in modern life, if it is ever to become sweet; and I am quite sure that they are absolutely necessary in the sowing the seed of an art which is to be made by the people and for the people, as A happiness to the maker and the user.  These virtues are honesty, and simplicity of life.  To make my meaning clearer I will name the opposing vice of the second of these—­luxury to wit.  Also I mean by honesty, the careful and eager giving his due to every man, the determination not to gain by any man’s loss, which in my experience is not a common virtue.

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Hopes and Fears for Art from Project Gutenberg. Public domain.