The coming of the Pope to Paris for the purpose of crowning the Emperor is one of those events which suffice to mark the grandeur of a period.  The Emperor never spoke of it except with extreme satisfaction, and he wished his Holiness to be received with all the magnificence which should attend the founder of a great empire.  With this intention his Majesty gave orders that, without any comment, everything should be furnished not only that the Pope, but also all that the persons of his suite, might demand.  Alas! it was not by his own personal expenses that the Holy Father assisted to deplete the imperial treasury

Pius vii. drank only water, and his sobriety was truly apostolic; but this was not the case with the abbes attached to his service, for these gentlemen each day required five bottles of Chambertin wine, without counting those of other kinds and most expensive liquors.

This recalls another occurrence, which, however, relates only indirectly to the Pope’s stay in Paris.  It is known that David was ordered by the Emperor to execute the picture of the coronation, a work which offered an incredible number of almost insurmountable difficulties, and which was, in fact, one of the masterpieces of the great painter.

At all events, the preparation of this picture gave rise to controversies in which the Emperor was compelled to interfere; and the case was serious, as we shall see, since a Cardinal’s wig was in question.  David persisted in not painting the head of Cardinal Caprara with a wig; and on his part the Cardinal was not willing to allow him to paint his head without the wig.  Some took sides with the painter, some with the model; and though the affair was treated with much diplomacy, no concession could be obtained from either of the contracting parties, until at last the Emperor took the part of his first painter against the Cardinal’s wig.  This recalls the story of the artless man who would not allow his head to be painted bare because he took cold so easily, and his picture would be hung in a room without a fire.

When M. de Bourrienne left the Emperor, as is well known, he was replaced by M. de Meneval, who had been formerly in the service of Prince Joseph.  The Emperor became more and more attached to his new private secretary in proportion as he came to know him better.  By degrees the work of the cabinet, in which was transacted the greater part of the most important business, became so considerable that it was impossible for one man alone to perform it; and from the year 1805 two young men, proteges of M. Maret, secretary of state, were admitted to the honor of working in the Emperor’s cabinet; and though initiated by the nature of their duties into the most important state secrets, there was never the slightest reason to suspect their perfect discretion.  They were, besides, very diligent, and endowed with much talent, so that his Majesty formed an excellent opinion of them.  Their position