We arrived in Paris on the 1st of January at nine o’clock in the evening; and as the theater of the palace of the Tuileries was now completed, on the Sunday following his Majesty’s return the Griselda of M. Paer was presented in this magnificent hall.  Their Majesties’ boxes were situated in front of the curtain, opposite each other, and presented a charming picture, with their hangings of crimson silk draped above, and forming a background to broad, movable mirrors, which reflected at will the audience or the play.  The Emperor, still impressed with the recollections of the theaters of Italy, criticised unsparingly that of the Tuileries, saying that it was inconvenient, badly planned, and much too large for a palace theater; but notwithstanding all these criticisms, when the day of inauguration came, and the Emperor was convinced of the very great ingenuity M. Fontaine had shown in distributing the boxes so as to make the splendid toilets appear to the utmost advantage, he appeared well satisfied, and charged the Duke of Frioul to present to M. Fontaine the congratulations he so well deserved.

A week after we saw the reverse of the medal.  On that day Cinna was presented, and a comedy, the name of which I have forgotten.  It was such extremely cold weather that we were obliged to leave the theater immediately after the tragedy, in consequence of which the Emperor exhausted himself in invectives against the hall, which according to him was good for nothing but to be burnt.  M. Fontaine [Born at Pontoise, 1762; erected the arch of the Carrousel; died 1853] was summoned, and promised to do everything in his power to remedy the inconveniences pointed out to him; and in fact, by means of new furnaces placed under the theater, with pipes through the ceiling, and steps placed under the benches of the second tier of boxes, in a week the hall was made warm and comfortable.

For several weeks the Emperor occupied himself almost exclusively with buildings and improvements.  The arch of triumph of the Place du Carrousel, from which the scaffolding had been removed in order to allow the Imperial Guard to pass beneath it on their return from Prussia, first attracted his Majesty’s attention.  This monument was then almost completed, with the exception of a few bas-reliefs which were still to be put in position.  The Emperor took a critical view of it from one of the palace windows, and said, after knitting his brows two or three times, that this mass resembled much more a pavilion than a gate, and that he would have much preferred one constructed in the style of the porte Saint-Denis.