A little unsteadily, but with watchful and brilliant eyes, Liz walked up the avenue.  On the doorstep of a brick tenement a curly-haired child sat, puzzling over the convolutions of a tangled string.  Liz flopped down beside her, with a crooked, shifting smile on her flushed face.  But her eyes had grown clear and artless of a sudden.

“Let me show you how to make a cat’s-cradle, kid,” she said, tucking her green silk skirt under her rusty shoes.

And while they sat there the lights were being turned on for the dance in the hall of the Small Hours Social Club.  It was the bi-monthly dance, a dress affair in which the members took great pride and bestirred themselves huskily to further and adorn.

At 9 o’clock the President, Kid Mullaly, paced upon the floor with a lady on his arm.  As the Loreley’s was her hair golden.  Her “yes” was softened to a “yah,” but its quality of assent was patent to the most Milesian ears.  She stepped upon her own train and blushed, and—­she smiled into the eyes of Kid Mullaly.

And then, as the two stood in the middle of the waxed floor, the thing happened to prevent which many lamps are burning nightly in many studies and libraries.

Out from the circle of spectators in the hall leaped Fate in a green silk skirt, under the nom de guerre of “Liz.”  Her eyes were hard and blacker than jet.  She did not scream or waver.  Most unwomanly, she cried out one oath—­the Kid’s own favorite oath—­and in his own deep voice; and then while the Small Hours Social Club went frantically to pieces, she made good her boast to Tommy, the waiter—­made good as far as the length of her knife blade and the strength of her arm permitted.

And next came the primal instinct of self-preservation—­or was it self-annihilation, the instinct that society has grafted on the natural branch?

Liz ran out and down the street swift and true as a woodcock flying through a grove of saplings at dusk.

And then followed the big city’s biggest shame, its most ancient and rotten surviving canker, its pollution and disgrace, its blight and perversion, its forever infamy and guilt, fostered, unreproved and cherished, handed down from a long-ago century of the basest barbarity—­the Hue and Cry.  Nowhere but in the big cities does it survive, and here most of all, where the ultimate perfection of culture, citizenship and alleged superiority joins, bawling, in the chase.

They pursued—­a shrieking mob of fathers, mothers, lovers and maidens—­howling, yelling, calling, whistling, crying for blood.  Well may the wolf in the big city stand outside the door.  Well may his heart, the gentler, falter at the siege.

Knowing her way, and hungry for her surcease, she darted down the familiar ways until at last her feet struck the dull solidity of the rotting pier.  And then it was but a few more panting steps—­and good mother East River took Liz to her bosom, soothed her muddily but quickly, and settled in five minutes the problem that keeps lights burning o’ nights in thousands of pastorates and colleges.