“You must be hungry,” he said. “Come out with me and have some supper.”
But she was not hungry; what she needed was air. Then he would walk a little way with her—he wanted to talk to her. She hesitated, and then consented. A fierce hope had again taken possession of her, and when they came to Warren Street she turned into it.
“Where are you going?” Rolfe demanded.
“For a walk,” she said. “Aren’t you coming?”
“Will you have supper afterwards?”
“Perhaps.”
He followed her, puzzled, yet piqued and excited by her manner, as with rapid steps she hurried along the pavement. He tried to tell her what her friendship meant to him; they were, he declared, kindred spirits—from the first time he had seen her, on the Common, he had known this. She scarcely heard him, she was thinking of Ditmar; and this was why she had led Rolfe into Warren Street they might meet Ditmar! It was possible that he would be going to the mill at this time, after his dinner! She scrutinized every distant figure, and when they reached the block in which he lived she walked more slowly. From within the house came to her, faintly, the notes of a piano—his daughter Amy was practising. It was the music, a hackneyed theme of Schubert’s played heavily, that seemed to arouse the composite emotion of anger and hatred, yet of sustained attraction and wild regret she had felt before, but never so poignantly as now. And she lingered, perversely resolved to steep herself in the agony.
“Who lives here” Rolfe asked.
“Mr. Ditmar,” she answered.
“The agent of the Chippering Mill?”
She nodded.