What I see that is fine in others I very readily commend and esteem:  nay, I often say more in their commendation than I think they really deserve, and give myself so far leave to lie, for I cannot invent a false subject:  my testimony is never wanting to my friends in what I conceive deserves praise, and where a foot is due I am willing to give them a foot and a half; but to attribute to them qualities that they have not, I cannot do it, nor openly defend their imperfections.  Nay, I frankly give my very enemies their due testimony of honour; my affection alters, my judgment does not, and I never confound my animosity with other circumstances that are foreign to it; and I am so jealous of the liberty of my judgment that I can very hardly part with it for any passion whatever.  I do myself a greater injury in lying than I do him of whom I tell a lie.  This commendable and generous custom is observed of the Persian nation, that they spoke of their mortal enemies and with whom they were at deadly war, as honourably and justly as their virtues deserved.

I know men enough that have several fine parts; one wit, another courage, another address, another conscience, another language:  one science, another, another; but a generally great man, and who has all these brave parts together, or any one of them to such a degree of excellence that we should admire him or compare him with those we honour of times past, my fortune never brought me acquainted with; and the greatest I ever knew, I mean for the natural parts of the soul, was Etienne De la Boetie; his was a full soul indeed, and that had every way a beautiful aspect:  a soul of the old stamp, and that had produced great effects had his fortune been so pleased, having added much to those great natural parts by learning and study.

But how it comes to pass I know not, and yet it is certainly so, there is as much vanity and weakness of judgment in those who profess the greatest abilities, who take upon them learned callings and bookish employments as in any other sort of men whatever; either because more is required and expected from them, and that common defects are excusable in them, or because the opinion they have of their own learning makes them more bold to expose and lay themselves too open, by which they lose and betray themselves.  As an artificer more manifests his want of skill in a rich matter he has in hand, if he disgrace the work by ill handling and contrary to the rules required, than in a matter of less value; and men are more displeased at a disproportion in a statue of gold than in one of plaster; so do these when they advance things that in themselves and in their place would be good; for they make use of them without discretion, honouring their memories at the expense of their understandings, and making themselves ridiculous by honouring Cicero, Galen, Ulpian, and St. Jerome alike.