On the 12th of January the town of Lyons gave, in honor of the First Consul and Madame Bonaparte, a magnificent fete, consisting of a concert, followed by a ball. At eight o’clock in the evening, the three mayors, accompanied by the superintendents of the fete, called upon their illustrious guests in the government palace. I can imagine that I see again spread out before me that immense amphitheater, handsomely decorated, and illuminated by innumerable lusters and candles, the seats draped with the richest cloths manufactured in the city, and filled with thousands of women, some brilliant in youth and beauty, and all magnificently attired. The theater had been chosen as the place of the fete; and on the entrance of the First Consul and Madame Bonaparte, who advanced leaning on the arm of one of the mayors, there arose a thunder of applause and acclamations. Suddenly the decorations of the theater faded from sight, and the Place Bonaparte (the former Place Belcour) appeared, as it had been restored by order of the First Consul. In the midst rose a pyramid, surmounted by the statue of the First Consul, who was represented as resting upon a lion. Trophies of arms and bas-reliefs represented on one side, the other that of Marengo.
When the first, transports excited by this spectacle, which recalled at once the benefits and the victories of the hero of the fete, had subsided, there succeeded a deep silence, and delightful music was heard, mingled with songs, dedicated to the glory of the First Consul, to his wife, the warriors who surrounded him, and the representatives of the Italian republics. The singers and the musicians were amateurs of Lyons. Mademoiselle Longue, Gerbet, the postmaster, and Theodore, the merchant, who had each performed their parts in a charming manner, received the congratulations of the First Consul, and the most gracious thanks of Madame Bonaparte.
What struck me most forcibly in the couplets which were sung on that occasion, and which much resembled all verses written for such occasions, was that incense was offered to the First Consul in the very terms which all the poets of the Empire have since used in their turn. All the exaggerations of flattery were exhausted during the consulate; and in the years which followed, it was necessary for poets often to repeat themselves. Thus, in the couplets of Lyons, the First Consul was the God of victory, the conqueror of the Nile and of Neptune, the savior of his country, the peacemaker of the world, the arbiter of Europe. The French soldiers were transformed into friends and companions of Alcides, etc., all of which was cutting the ground from under the feet of the singers of the future.
The fete of Lyons ended in a ball which lasted until daylight, at which the First Consul remained two hours, which he spent in conversation with the magistrates of the city. While the better class of the inhabitants gave these grand entertainments to their guests, the people, notwithstanding the cold, abandoned themselves on the public squares to pleasure and dancing, and towards midnight there was a fine display of fireworks on the Place Bonaparte.